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Collecting and the Internet
The Internet has had a profound effect on collecting—because of the Web, collectibles are now more readily available, collections more easily displayed for a wider audience, and collectors’ online communities are larger and often quite intimate. In addition, the Web has added new items to the pantheon of collectibles, including digital bits that, whether considered virtual or material, are nevertheless collectible. In this work, essays discuss the age-old habit of collecting and its modern relationship with the Internet. Topics include individually authored websites, online auctions, watches, eyewear, Kelly dolls, the gambler’s rush of online acquisition, mp3s, collecting friends via online social networking sites, and online museums, among others.
The Strange History of Suzanne LaFleshe and Other Stories of Women and Fatness
Spanning a century, from Kate Chopin and Fannie Hurst to J. California Cooper and Elana Dykewomon, this bold and deeply satisfying anthology of women's stories explores women's relationships to, and perceptions of, their physical selves. Addressing the peculiarities, the pleasures, and the shames of body politics, these stories of bodies that refuse to be contained offer a variety of perspectives on fully inhabiting the flesh. Whether celebrating bodies deemed transgressive or simply daring to acknowledge that such bodies exist, these diverse literary representations of fatness render the excessive body brilliantly, unapologetically visible. Book jacket.
The Subversion of Romance in the Novels of Barbara Pym
Points out how British novelist Pym (1913-80) parodied the conventions of romance novels by deflating characters, hyperbole, and exaggeration, or emphasizing meticulously the mundane elements of everyday life. Shows how she used food, clothes, heroin and hero characterizations, and marriage customs to portray her characters,' and perhaps her own, skepticism about the whole business. Paper edition (764-0), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR
American Women Short Story Writers
This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.
Around 1981
Jane Gallop’s book offers a clear-eyed and comprehensive history of feminist literary criticism. Why, she asks, have we so quickly buried 1970s feminist criticism? What lies buried there? Why do 1990s academic feminists accuse other academic feminists of being ‘academic’? Gallop takes the novel approach of structuring her inquiry around anthologies of feminist criticism: twelve important texts that have had a wide impact on more than a decade of scholarship. In reading an anthology as a whole, she typically identifies a central, hegemonic voice (usually that of the editor/s) which would organise all the voices into a unity, and then explores the resistance within that volume to such a unity. Weight is placed behind these internal differences as a wedge against the centrist drive. Around 1981 addresses briefly ‘french feminism’ and psychoanalytic feminism before focusing on its principal subject: the mainstream of feminist literary criticism, before and after its general acceptance as part of the changing institution of literary studies. This brilliantly illuminates the dilemma of the feminist critic, divided by her allegiance to both feminism and literary studies.
The Science Fiction of Phyllis Gotlieb
Gotlieb is a writer central to the Canadian science fiction canon. Though she has been called the queen of Canadian SF by Robert J. Sawyer, and though David Ketterer has suggested that she is Canadian SF, Gotlieb has been largely overlooked by SF studies. This book delves deeply into her body of work and traces her career in detail. Offering close readings of Gotlieb's novels, short stories (including ones not reprinted since their initial appearances), and SF-related poetry, this study explores Gotlieb's development as a writer and her characteristic themes. The book also references her manuscripts when the differences between them and the published stories provide insights into her working methods. The book enumerates and analyzes Gotlieb's innovative explorations of common SF tropes such as the superhuman, human-alien interaction, and the galactic empire, her prevalent thematic concerns (e.g., reproduction, colonization, the mind-body relationship, the essence of "humanity") as well as her stylistically dense and literary approach to the genre.
