You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
The implementation of sustainability initiatives on campuses is an essential component of promoting sustainability in the higher education context. In addition to reflecting an awareness of environmental issues, campus programmes demonstrate how seriously universities take sustainability at the institutional level. There is a lack of truly interdisciplinary publications that comprehensively address the issue of campus greening, and there is an even greater need for publications that do so at a truly international level. This book meets these needs. It is one of the outcomes of the “Second Symposium on Sustainability in University Campuses” (SSUC-2018), which was jointly organised by the ...
In this book, Warner examines a number of German-language literary works that are connected to diverse social movements of the last forty years and have in some way been pivotal in discussions of authenticity, autobiographicality, testimonial representation, and referentiality. By presenting a model for an integrative stylistics approach, such as is needed to understand non-fictional, poetic effects such as authenticity, this book participates in current discussions within fields of literary linguistic scholarship. Of particular interest to those in the fields of German Studies; stylistics; and autobiography, testimony, and life-writing.
Assessing rhetorical principles of contemporary health issues Hypochondriacs are vulnerable to media hype, anorexics are susceptible to public scrutiny, and migraine sufferers are tainted with the history of the “migraine personality,” maintains rhetorical theorist Judy Z. Segal. All are influenced by the power of persuasion. Health and the Rhetoric of Medicine explores persistent health conditions that resist conventional medical solutions. Using a range of rhetorical principles, Segal analyzes how patients and their illnesses are formed within the physician/patient relationship. The intractable problem of a patient’s rejection of a doctor’s advice, says Segal, can be considered a r...
This handbook provides a comprehensive overview, as well as breaking new ground, in a versatile and fast growing field. It contains four sections: Contrastive, Cross-cultural and Intercultural Pragmatics, Interlanguage Pragmatics, Teaching and Testing of Second/Foreign Language Pragmatics, and Pragmatics in Corporate Culture Communication, covering a wide range of topics, from speech acts and politeness issues to Lingua Franca and Corporate Crises Communication. The approach is theoretical, methodological as well as applied, with a focus on authentic, interactional data. All articles are written by renowned leading specialists, who provide in-depth, up-to-date overviews, and view new directions and visions for future research.
In considering the ways in which current theories of language in use and communicative processes are applied to the analysis, interpretation and definition of literary texts, this book sets an agenda for the future of pragmatic literary stylistics and provides a foundation for future research and debate.
This volume combines some of the leading voices on the composition and collection of early Christian gospels in order to analyze Tatian's Diatessaron. The rapid rise and sudden suppression of the Diatessaron has raised numerous questions about the nature and intent of this second-century composition. It has been claimed as both a vindication of the fourfold gospel's early canonical status and as an argument for the canon's on-going fluidity; it has been touted as both a premiere witness to the earliest recoverable gospel text and as an early corrupting influence on that text. Collectively, these essays provide the greatest advance in Diatessaronic scholarship in a quarter of a century. The c...
Bringing new insights from genre theory to bear on the work of the journalist and novelist Rebecca West, this study explores how West's use of and combinations of multiple genres (often in single works) was informed and furthered by her subversive feminist goals. Rebecca West's Subversive Use of Hybrid Genres analyzes West's sense of genres as dynamic and strategic processes with transgressive political ends rather than as fixed and reified taxonomies, a radical new approach at the time that is now mirrored in much contemporary theory. Surveying her oeuvre from this point of view, the book goes on to examine systematically West's writing from 1911-1941, including her early journalism and criticism, such novels as The Return of the Soldier and her controversial multi-genre epic Black Lamb and Grey Falcon.
"At long last, a discussion of plagiarism that doesn't stop at 'Don't do it or else,' but does full justice to the intellectual interest of the topic!" ---Gerald Graff, author of Clueless in Academe and 2008 President, Modern Language Association This collection is a timely intervention in national debates about what constitutes original or plagiarized writing in the digital age. Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, particularly as they concern students, scholars, professional writers, and readers, while also addressing a range of related iss...
The author analyzes the way the girls discuss pleasure in becoming "the eye" of the reader, use film to decode the genres of literature, master forms such as fantasy and Gothic, describe the differences between reading and viewing films, and identify only with animal rather than human characters. Blackford intertwines the vivid voices of her girl respondents with her own story of moving beyond her feminist and multicultural assumptions of how children are shaped by the stories we tell in literature. This breakthrough text presents surprising findings about how girls appreciate literature and what they enjoy about reading.
This accessible, personal, and provocative study returns to the major subject in literary discussion before and during the relatively recent flourishing of literary theory, that of literary intention. Does the author’s personal intention or historical site determine a correct interpretation of a literary work? Probing the entire range of issues connected with this many-faceted and knotty concept, this book engages with interpretation on both theoretical and practical levels. It argues that the hard questions about interpretation connected to issues of intention cannot be sidestepped or ignored. It does not argue for conservative concepts of literature itself, nor against the major historical engagements of critics in our time. But in addressing those who continue to read or teach literature, it does insist on a level of sophistication in issues of literary interpretation that cannot be assured by historical research and knowledge of the social and cultural connections to literary works. The overall aim of the work is to recall readers to the great complexity, pleasure, and interest of literary interpretation.