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Arthurian Women
Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.
The Book of Peace
Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of severe corruption and civil unrest in her native France. The book offered Pizan a platform from which to expound her views on contemporary politics and to put forth a strict moral code to which she believed all governments should aspire. The text’s intended recipient was the dauphin, Louis of Guyenne; Christine felt that Louis had the political and social influence to fill a void left by years of incompetent leadership. Drawing in equal parts from the Bible and from classical ethical theory, the Livre de paix was revolutionary in its timing, viewpoint, and content. This volume, edited by Karen Green, Constant J. Mews, and Janice Pinder, boasts the first full English translation of Pizan’s work along with the original French text. The editors also place the Livre de paix in historical context, provide a brief biography of Pizan, and offer insight into the translation process.
Alone Together
Alone Together reinterprets the explosion of sentimental poetry and prose in fifteenth-century Iberia.
Boccaccio's Heroines
In contrast to earlier scholars who have seen Boccaccio's Famous Women as incoherent and fractured, Franklin argues that the text offers a remarkably consistent, coherent and comprehensible treatise concerning the appropriate functioning of women in society. In this cross disciplinary study of a seminal work of literature and its broader cultural impact on Renaissance society, Franklin shows that, through both literature and the visual arts, Famous Women was used to promote social ideologies in both Renaissance Tuscany and the dynastic courts of northern Italy. Speaking equally to scholars in medieval and early modern literature, history, and art history, Franklin brings needed clarification...
Misera Hispania
Fortalitium fidei is one of the central texts in the controversy surrounding the religious and social status of conversos in fifteenth-century Castile. This monograph provides a close analysis of the text itself and contextualizes this study through comparison with pro-converso texts and with reference to Alonso de Espina's career as an Observant Franciscan. After an outline of the development of the converso problem, it offers a biography of Espina and a discussion of the context of production of Fortalitium fidei. There is then a discussion of three works of theology in defence of conversos: Alonso de Cartagena's Defensorium unitatis christianae, Juan de Torquemada's Tractatus contra madianitas et ismaelitas, and Alonso de Oropesa's Lumen ad revelationem gentium. The rest of the work is detailed reading of Fortalitium fidei, with chapters on the image of the fortress, the treatment of Jews and Judaism, and of conversos. This volume addresses the extent and nature of the debate about conversos, the development of models of genealogical exclusion, and the role of Espina and his text in the ending of religious plurality in Spain.
The Writings of Medieval Women
"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana "The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
Christine de Pizan
The first popular biography of a pioneering feminist thinker and writer of medieval Paris. The daughter of a court intellectual, Christine de Pizan dwelled within the cultural heart of late-medieval Paris. In the face of personal tragedy, she learned the tools of the book trade, writing more than forty works that included poetry, historical and political treatises, and defenses of women. In this new biography—the first written for a general audience—Charlotte Cooper-Davis discusses the life and work of this pioneering female thinker and writer. She shows how Christine de Pizan’s inspiration came from the world around her, situates her as an entrepreneur within the context of her times and place, and finally examines her influence on the most avant-garde of feminist artists, through whom she is slowly making a return into mainstream popular culture.
Poet Heroines in Medieval French Narrative
Examining French literature from the medieval period, Findley revises our understanding of medieval literary composition as a largely masculine activity, suggesting instead that writing is seen in these texts as problematically gendered and often feminizing.
Christine de Pizan and the Fight for France
In Christine de Pizan and the Fight for France, Tracy Adams offers a reevaluation of Christine de Pizan’s literary engagement with contemporary politics. Adams locates Christine’s works within a detailed narrative of the complex history of the dispute between the Burgundians and the Armagnacs, the two largest political factions in fifteenth-century France. Contrary to what many scholars have long believed, Christine consistently supported the Armagnac faction throughout her literary career and maintained strong ties to Louis of Orleans and Isabeau of Bavaria. By focusing on the historical context of the Armagnac-Burgundian feud at different moments and offering close readings of Christine’s poetry and prose, Adams shows the ways in which the writer was closely engaged with and influenced the volatile politics of her time.
The Writings of Medieval Women
Published in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.
