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His devlish cunning mocked the power of the law.... He was The Scarlet Ace! Not until he blasted the one who failed did they know the menace of his hidden hand... Classic pulp fiction -- the first installment of the Scarlet Ace series -- ripped from the pages of the February, 1933 issue of All Detective Magazine!
An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream. Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this. Featuring • Deadly Diamonds • Dancing Rats • A Prize Fighter Fighting for His Life • A Parrot that Wouldn’t Talk Including • Dashiell Hammett’s The Maltese Falcon as it was originally published • Lester Dent's Luck in print for the first time
This volume is a collection of words in honor of our colleague, teacher and friend Yordan Kosturkov. It is but a feeble attempt to lock within book covers, not unlike the bare walls of an unfurnished room, the rich and multifaceted world the writer, poet, scholar, translator, intellectual and human being Kosturkov has been building for many decades, brick by brick, stone by stone. The first part in this collection revolves around the idea of the rational and disciplined knowledge in constructing Arguments. The second and somewhat unruly part strives to capture the elusive and the emotional, as well as the (mis)remembered in our Affinities. The third gives our readers the record of the archeologist who has embarked on an excavation in the Archives. It is in the dynamics between these three parts that the editors have tried to approximate the sense of the world created and inhabited by Yordan Kosturkov, if we threw all furniture out the window.
This study analyzes the social significance of prefaces with reference to Bulgarian editions of American literature published between 1948 and 1998. Such prefaces present a diverse body of texts, in different voices, involving numerous actors in the cultural sphere. These raise a range of interesting questions. How do prefaces in Bulgaria structure American literary and cultural studies? What ideological dimensions are found in them through the communist period and immediately afterwards? How are questions about “race” mediated? What do they indicate about Bulgaria’s relations to the USA, the former USSR and other European countries? How aware are American Studies scholars of the underlying presumptions of their professional field? These and other important questions are carefully considered in this book, while exploring a large body of fascinating source material which has received little systematic attention so far.
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Who is The Shadow? How did he come to be? Master of Mystery: The Rise of The Shadow delves into the murky origins of perhaps the most significant media creation of all time. Between 1930 and 1954, The Shadow was a dominant figure in American popular culture. A multi-media sensation, he emerged from the creative cauldron of the earliest days of radio drama, and soon migrated to magazines, comic books, film and eventually paperback books. Only Superman and Batman, who were created a few years later, rivaled The Shadow in global public recognition. A century later, this enigmatic personality and his famous mantra, "Who knows what evil lurks in the hearts of men? The Shadow knows!" remains recog...
This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how Batman, Wonder Woman, Captain America and many more stand as time capsules of their eras, rising and falling with societal changes, and reflecting an amalgam of influences. The book covers in detail the iconic superhero comic book creators and their unique contributions in their quest for realism, including Julius Schwartz and the science-fiction origins of superheroes; the collaborative design of the Marvel Universe by Jack Kirby, Stan Lee, and Steve Ditko; Jim Starlin's incorporation of the death of superheroes in comic books; John Byrne and the revitalization of superheroes in the modern age; and Alan Moore's deconstruction of superheroes.