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Around That Time
Vogue's Book of Houses, Gardens, People (1968) was a landmark publication among decorating books, and it chronicles an important chapter in the history of Vogue. Vogue's Horst P. Horst, a leading fashion photographer of his time, developed an intense interest in seeing the world's great homes and meeting their owners; beginning in the early 1960s, he journeyed in an elite world that would soon be lost. With accompanying lyrical essays about homes and their occupants by the famed writer Valentine Lawford (Horst's partner in work and life), the book is a virtual who's who of society, politics, and the arts in the mid-20th century. Around That Time showcases much of the material featured in the original book, plus never-before-seen photographs from those homes as well as images from additional homes Horst shot well into the 1980s. This book introduces this work to a new generation of design, decorating, and visual art professionals, academics, and enthusiasts.
Diplomacy and Intelligence During the Second World War
A collection of essays in the honour of F. H. Hinsley, the foremost historian of British wartime intelligence.
This Crazy Thing Called Love
In 1955, Ann Woodward shot her husband, Billy, in their Oyster Bay, Long Island, home. While she was cleared by a grand jury, which believed her story that she had mistaken Billy for a prowler who had been recently breaking into neighboring houses, New York society was convinced that she had deliberately murdered Billy and that her formidable mother-in-law, Elsie Woodward, had covered up the crime to prevent further scandal to the socially prominent family. The incident became fiction in Truman Capote's malicious 1975 Esquire story, leading to Ann's suicide, and later was the subject of Dominick Dunne's The Two Mrs. Grenvilles. Now, after years of research, Braudy reveals the truth behind the legend. Tracing Ann's life from her difficult Kansas childhood through her early years as a model and aspiring actress to her stormy marriage to Billy Woodward and the sad years of her social exile after his death, Braudy shows how Ann, a victim of cruel gossip and class snobbery, could not have deliberately killed Billy.
The Last Lion: Volume 2
The second volume of William Manchester's masterful account of Winston Churchill's life. Alone is the second volume of William Manchester's brilliant three-volume biography of Winston Churchill. In this volume, we witness the war within, before the colossal war to come. During this period, Churchill was tested as few men are: relentlessly pursued by creditors, disowned by his own party, vociferously dismissed by the press as a warmonger, and twice nearly lost his seat in Parliament. Yet despite his personal and political troubles, Churchill managed to assemble a vast, underground intelligence network-both within the British government and on the continent-which provided him with more complet...
The Last 100 Days
A revealing portrait of the end of Franklin Delano Roosevelt's life and presidency, shedding new light on how he made his momentous final policy decisions The first hundred days of FDR's presidency are justly famous, often viewed as a period of political action without equal in American history. Yet as historian David B. Woolner reveals, the last hundred might very well surpass them in drama and consequence. Drawing on new evidence, Woolner shows how FDR called on every ounce of his diminishing energy to pursue what mattered most to him: the establishment of the United Nations, the reinvigoration of the New Deal, and the possibility of a Jewish homeland in Palestine. We see a president shorn of the usual distractions of office, a man whose sense of personal responsibility for the American people bore heavily upon him. As Woolner argues, even in declining health FDR displayed remarkable political talent and foresight as he focused his energies on shaping the peace to come.
The Grand Surprise
A remarkable life and a remarkable voice emerge from the journals, letters, and memoirs of Leo Lerman: writer, critic, editor at Condé Nast, and man about town at the center of New York’s artistic and social circles from the 1940s until his death in 1994. Lerman’s contributions to the world of the arts were large and varied: he wrote on theater, dance, music, art, books, and movies for publications as diverse as Mademoiselle and The New York Times. He was features editor at Vogue and editor in chief of Vanity Fair. He launched careers and trends, exposing the American public to new talents, fashions, and ideas. He was a legendary party host as well, counting Marlene Dietrich, Maria Call...
Encyclopedia of Twentieth-Century Photography, 3-Volume Set
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Designing the French Interior
Designing the French Interior traces France's central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.
