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Perfect Wives in Ideal Homes
In Perfect Wives in Ideal Homes, Virginia Nicholson tells the story of women in the 1950s: a time before the Pill, when divorce spelled scandal and two-piece swimsuits caused mass alarm. Turn the page back to the mid-twentieth century, and discover a world peopled by women with radiant smiles, clean pinafores and gleaming coiffures; a promised land of batch-baking, maraschino cherries and brightly hued plastic. A world where the darker side of the decade encompasses rampant prostitution, a notorious murder, and the threat of nuclear disaster. Perfect Wives in Ideal Homes reconstructs the real 1950s, through the eyes of the women who lived it. Step back in time to where our grandmothers scrubbed their doorsteps, cared for their families, lived, laughed, loved and struggled. This is their story.
Singled Out
Almost three-quarters of a million British soldiers lost their lives during the First World War, and many more were incapacitated by their wounds, leaving behind a generation of women who, raised to see marriage as "the crown and joy of woman's life," suddenly discovered that they were left without an escort to life's great feast. Drawing upon a wealth of moving memoirs, Singled Out tells the inspiring stories of these women: the student weeping for a lost world as the Armistice bells pealed, the socialite who dedicated her life to resurrecting the ancient past after her soldier love was killed, the Bradford mill girl whose campaign to better the lot of the "War spinsters" was to make her a ...
Among the Bohemians
They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats. They were the bohemians. Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).
Millions Like Us
In 1942 Cora Johnston is grieving over the death of her young husband, torpedoed in the Atlantic; Aileen Morris is intercepting Luftwaffe communications during the siege of Malta - and Clara Milburn, whose son was captured after Dunkirk, is waiting, and waiting ... We tend to see the Second World War as a man's war, featuring Spitfire crews and brave deeds on the Normandy beaches. But in conditions of "Total War" millions of women - in the Services and on the Home Front - demonstrated that they were cleverer, more broad-minded and altogether more complex than anyone had ever guessed. In Millions Like Us Virginia Nicholson tells the story of the women's war, through a host of individual women's experiences. She tells how they loved, suffered, laughed, grieved and dared; how they re-made their world in peacetime. And how they would never be the same again ...
Charleston
Set in the heart of the Sussex Downs, Charleston Farmhouse is the most important remaining example of Bloomsbury decorative style, created by the painters Vanessa Bell and Duncan Grant. Quentin Bell, the younger son of Clive and Vanessa Bell, and his daughter Virghinia Nicholson, tell the story of this unique house, linking it with some of the leading cultural figures who were invited there, including Vanessa's sister Virginia Woolf, the writer Lytton Strachey, the economist Maynard Keynes and the art critic Roger Fry. The house and garden are portrayed through Alen MacWeeney's atmostpheric photographs; pictures from Vanessa Bell's family album convey the flavour of the household in its heyday.
Waiting for Sunrise
THE SUNDAY TIMES BESTSELLERVienna, 1913. Lysander Rief, a young English actor, sits in the waiting room of the city's preeminent psychiatrist as he anxiously ponders the particularly intimate nature of his neurosis. When the enigmatic, intensely beautiful Hettie Bull walks in, Lysander is immediately drawn to her, unaware of how destructive the consequences of their subsequent affair will be. One year later, home in London, Lysander finds himself entangled in the dangerous web of wartime intelligence - a world of sex, scandal and spies that is slowly, steadily, permeating every corner of his life...
Karma, Rhythmic Return to Harmony
What`s an anthology on karma doing in an astrological book review column? The easy answe is that karma is a buzz word of the New Age movement of which astrology itself is a part. If you think that`s all there is to karma or if you`re just curious about wh
Roundabout Directions to Lincoln Center
In her debut collection and the first book in the Crossroads Poetry Series, Renee K. Nicholson brings you a profound lyric exploration of the everyday. Roundabout Directions to Lincoln Center unfolds like a ballet's grand adagio, moving across the physical, spiritual, and emotional places that make an American life. From the Carolina low-country boils to the sweet mountains of Appalachia to the grand heights of New York City, this collection, in parts playful and parts profound, traces the turns and chasses that a life in its freewheeling manner can cast."
Virginia Woolf
Recalls the ties between his family and the novelist and childhood moments spent with her, discussing her walks around his ancestral home, the progression of her well-known works, and her philosophy towards women's issues and war.
The Diary of Virginia Woolf: 1915-1919
“Nothing yet published about her so totally contradicts the legend of Virginia Woolf.... [This] is a first chance to meet the writer in her own unguarded words and to observe the root impulses of her art without the distractions of a commentary” (New York Times). Edited and with a Preface by Anne Olivier Bell; Introduction by Quentin Bell; Index.
