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A breathtaking selection of works from the largest and finest collection of Hudson River paintings in the world Hudson River School paintings are among America's most admired and well-loved artworks. Such artists as Thomas Cole, Frederic Church, and Albert Bierstadt left a powerful legacy to American art, embodying in their epic works the reverence for nature and the national idealism that prevailed during the middle of the nineteenth century. This book features fifty-seven major Hudson River School paintings from the collection of the Wadsworth Atheneum Museum of Art, recognized as the most extensive and finest in the world. Gorgeously and amply illustrated, the book includes paintings by all the major figures of the Hudson River School. Each work is beautifully reproduced in full color and is accompanied by a concise description of its significance and historical background. The book also includes artists' biographies and a brief introduction to American nineteenth-century landscape painting and the Wadsworth Atheneum's unique role in collecting Hudson River pictures.
The Wadsworth Atheneum's remarkable collection of 20th century art is due to the energy of a succession of adventurous directors and curators. This volume showcases the museum's holdings and provides details about their acquisition.
New colour photographs encapsulate the breadth of the Wadsworth Atheneum's collection, which spans 5000 years of European and American art. Founded in 1842 by Daniel Wadsworth, the Wadsworth Atheneum Museum of Art houses collections of nearly 50,000 works of art, spanning 5,000 years and embracing European art from antiquity through to Modernism as well as American art from the 1600s to today. Highlights include works by Caravaggio, Frederic Edwin Church, Salvador DalĂ, Fra Angelico, Paul Gauguin, Sol LeWitt, Georgia O'Keeffe, Robert Rauschenberg and Kara Walker. This fully illustrated book is the first in many years to encapsulate the breadth of this prestigious collection, which has recently been re-presented in strikingly refurbished and reinstalled galleries. Follow @TheWadsworth on Twitter (9,760 followers).
"Published on the occasion of the exhibition Gorey's Worlds, organized by the Wadsworth Atheneum Museum of Art."
A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media--from paintings to prints--the fascinating stories of early modern Italian women artists are revealed.
The fascinating story of the American inventor and manufacturer who perfected the revolver Samuel Colt (1814-1862) first patented his "Colt" revolver in 1835 and thereby redefined the architecture of handguns. This stunning book is the first to present in detail the evolution of his most famous invention and to document the unsurpassed Colt firearms collections held by the Wadsworth Atheneum. Colt designed his revolvers with an artistic sensibility--paying particular attention to form and beauty and juxtaposing colors and finishes to heighten the visual effects. He was also one of the first American manufacturers to secure celebrity endorsements and to commission paintings by renowned artist...
Published on the occasion of an exhibition of the same name organized by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, and held there January 31-May 31, 2015; at the San Diego Museum of Art, Calif., July 11-October 13, 2015; at the Brooklyn Museum, N.Y., November 20, 2015-March 13, 2016; and at the McNay Art Museum, San Antonio, Tex., May 11-September 11, 2016.
Shortly before Gauguin made his first Tahitian journey in 1891, he spent nearly two years in the remote Breton fishing village of Le Pouldu. Seeking creative isolation in a "primitive" setting, he pursued his art accompanied by several followers. One of them was the Dutch painter Meyer de Haan, who was able to pay the living expenses in Le Pouldu and was also knowledgeable in literary and philosophical matters that fascinated Gauguin. Their association resulted in some of Gauguin's most remarkable works, including the Wadsworth Atheneum's symbolist portrait of de Haan inscribed "Nirvana." This and the rich variety of paintings and sculpture by Gauguin produced in 1889-90 are the focus of thi...