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Beauty Is Oxygen
Beauty is oxygen because it comes from the lungs of God. Isolating individualism, rank injustice, and everyday monotony threaten to suffocate our souls. But Wesley Vander Lugt shows how beauty can breathe life back into us. Written in a graceful cadence that invites readers to turn these pages slowly, Beauty Is Oxygen weaves together theological reflection, poetry, cultural criticism, and Scripture. Throughout, Vander Lugt shows how beauty can break us out of self-centered malaise, promote healing and hope for our broken world, and reenchant our lives. Beauty is about more than positive feelings or pleasing aesthetics. Beauty is as essential to our souls as oxygen is to our bodies. As readers encounter these traces of divine glory in Vander Lugt’s finely crafted meditations, they will find how Christ will “make all things new.”
Living Theodrama
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Ritual and Drama
In Ritual and Drama, Francis Edwards reveals that ritual forms the basis of all popular theatrical entertainment, the root from which dramatic art has grown. Covering the period from the tenth to the fifteenth centuries, Edwards focusses on the audience impact rather than the artistic qualities of the mediaeval plays, devoting much of his attention to the emotional effect of religious and dramatic ritual on the spectator. Illuminating the impact of Christian rituals, liturgy, and stories, Edwards draws illustrative parallels between mediaeval and modern states of mind. Ritual and Drama describes the growth of the dramatic idea, the styles of presentation of the mystery cycles, and the evolution of the morality play, presenting in straightforward terms a theme fundamental to our understanding of mediaeval dramatic art.
Pocket Dictionary of the Reformed Tradition
The Pocket Dictionary of the Reformed Tradition offers brief and accurate definitions of approximately three hundred key people, movements and ideas that make up the Reformed tradition. Beginners will find here a friendly guide through the thicket of terms and ideas encountered in Reformed theology and history.
A Nazareth Manifesto
A Nazareth Manifesto is an eloquent and impassioned ecumenical proposal for re-envisioning Christianity's approach to social engagement away from working "for" the people to being "with" them. Questions the effectiveness of the current trend of intervention as a means of fixing the problems of people in distressed and disadvantaged circumstances Argues that Jesus spent 90% of his life simply being among the people of Nazareth, sharing their hopes and struggles, therefore Christians should place a similar emphasis on being alongside people in need rather than hastening to impose solutions Written by a respected priest and broadcaster and renowned Christian ethicist and preacher Supported by historical, contemporary, exegetical and anecdotal illustrations
Living Theodrama
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Improvisation
This introductory textbook establishes theatrical improvisation as a model for Christian ethics, helping Christians embody their faith in the practices of discipleship. Clearly, accessibly, and creatively written, it has been well received as a text for courses in Christian ethics. The repackaged edition has updated language and recent relevant resources, and it includes a new afterword by Wesley Vander Lugt and Benjamin D. Wayman that explores the reception and ongoing significance of the text.
The Way of the Kenotic Christ
Despite his vast importance to twentieth-century theology, Jurgen Moltmann's Christology has yet to receive the same level of in-depth exploration as other topics in his thought. Samuel Youngs addresses this lacuna, providing the first exhaustive analysis of Moltmann's doctrine of Christ, including its key developments and controversial elements. Youngs argues that Moltmann's doctrine of Christ is best understood as a unique variation of kenotic Christology. This vision of Christ encapsulates not only a series of vibrant ethical and eschatological points, but also serves Moltmann's overarching theological goal of empowering a church that lives and ministers "under the cross." Part I highlights key facets of Moltmann's theological method before unfolding the range of diverse themes that characterize his Christology. Part II explores Moltmann's use of the "kenosis hymn" of Philippians 2, before interrogating Moltmann's relationship to christological tradition. Part III engages in an original systematization of Moltmann's Christology, centered on the theme of manifold, relational kenosis.
Upward
The ascension of Christ is usually taken for granted and often neglected. Indeed, it represents that forgotten dimension of faith in its reach beyond the categories, concepts, and concerns of our mundane existence, even in the church. This book is written with the conviction that there are further riches to be discovered. Christ's ascension indelibly marks the limitless horizon of Christian life. It reminds us that the mission of evangelization is unconfined, always moving beyond, upward, outward, in the vitality of the risen Christ who already occupies every dimension of time and space. Properly understood, the ascension is a fundamental aspect of the catholicity of faith and enables it to breathe more deeply in its experience of "the boundless riches of Christ" (Eph 3:9).
