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Lord Abberley's Nemesis
DIVDIVWinner of the Romance Writers of America’s Golden Medallion Award: Can a desperate young lady return a rakish earl to respectability? /divDIV When Miss Margaret Caldecourt returns to her ancestral English country manor from Vienna to care for her late brother’s six-year-old son and heir, Timothy, she learns that unscrupulous relatives threaten his birthright. Immediately she seeks help from her childhood friend and Timothy’s newly named guardian, the handsome Adam Fortescue, sixth Earl of Abberley. But Abberley, through reckless pleasure-seeking, has brought scandal to his name, let his estate fall to ruin, and is in no condition to help. Determined nevertheless to enlist his aid and protect her nephew, Margaret decides to reform Abberley’s heedless ways whether he likes it or not. She knows that beneath his dissolute demeanor lies a noble heart, but never does she suspect that her own heart may be vulnerable to London’s most notorious rake./div/div
Mimicry and Display in Victorian Literary Culture
The book reveals how Victorians biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations.
The Oxford Handbook of Victorian Medievalism
Victorian medievalism physically transformed the streets of Britain It lay at the root of new laws and social policies It changed religious practices It deeply coloured national identities And it inspired art literature and music that remains influential to this day Sometimes driven by nostalgia but also often progressive and futurefacing this widereaching movement which reached its peak during the reign of Queen Victoria looked back to a range of different peoples and historical periods spanning a thousand years in order to inspire and vindicate cultural political and social change Medievalism was pervasive in Victorian literature with texts ranging from translated sagas to pseudomedieval d...
Apocalyptic Discourse in Contemporary Culture
This interdisciplinary collection of essays focuses on critical and theoretical responses to the apocalypse of the late twentieth- and early twenty-first-century cultural production. Examining the ways in which apocalyptic discourses have had an impact on how we read the world’s globalised space, the traumatic burden of history, and the mutual relationship between language and eschatological belief, fifteen original essays by a group of internationally established and emerging critics reflect on the apocalypse, its past tradition, pervasive present and future legacy. The collection seeks to offer a new reading of the apocalypse, understood as a complex – and, frequently, paradoxical – paradigm of (contemporary) Western culture. The majority of published collections on the subject have been published prior to the year 2000 and, in their majority of cases, locate the apocalypse in the future and envision it as something imminent. This collection offers a post-millennial perspective that perceives "the end" as immanent and, simultaneously, rooted in the past tradition.
The Science of Starving in Victorian Literature, Medicine, and Political Economy
The Science of Starving in Victorian Literature, Medicine, and Political Economy is a reassessment of the languages and methodologies used, throughout the nineteenth century, for discussing extreme hunger in Britain. Set against the providentialism of conservative political economy, this study uncovers an emerging, dynamic way of describing literal starvation in medicine and physiology. No longer seen as a divine punishment for individual failings, starvation became, in the human sciences, a pathology whose horrific symptoms registered failings of state and statute. Providing new and historically-rich readings of the works of Charles Kingsley, Elizabeth Gaskell, and Charles Dickens, this book suggests that the realism we have come to associate with Victorian social problem fiction learned a vast amount from the empirical, materialist objectives of the medical sciences and that, within the mechanics of these intersections, we find important re-examinations of how we might think about this ongoing humanitarian issue.
The Novel and the Multispecies Soundscape
The contemporary novel is not as silent as we tend to believe, nor does it only attend to human plots and characters. As this book shows, writers in a range of subgenres have devoted considerable attention to the voices of nonhuman animals, and to the histories and technologies of listening that shape twenty-first-century cultures and environments. In doing so, their multispecies novels illuminate the cultural meanings we attach to creatures like dogs, frogs, whales, chimpanzees, and Tasmanian tigers – not to mention various bird species and even plants. At the same time, these stories explore the attitudes of distinct communities of human listeners, ranging from vets and musicians to chim...
The Uncanny in Language, Literature and Culture
In his attempts to define the uncanny, Sigmund Freud asserted that the concept is undoubtedly related to what is frightening, to what arouses dread and horror. Yet the sensation is prompted, simultaneously, by something familiar, establishing a sense of insecurity within the domestic, even within the walls of one’s own home. This disturbance of the familiar further unsettles the sense of oneself. A resultant perturbed relationship between a person and their familiar world — the troubled sense of home and self-certainty — can be the result of a traumatic experience of loss, and of unresolved pasts resurfacing in the present. Memory traces are revised and interwoven with fresh experiences producing an uncanny effect. As “an externalization of consciousness”, the uncanny becomes a meta-concept for modernity with its disintegration of time, space, and self. The papers in this book seek to explore the representations of the uncanny in language, literature, and culture, applying the origins of the concept to a range of ideas and works.
Vernacular Aesthetics in the Later Middle Ages
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Ecocriticism and the Island
Islands have long been the subject of cultural fascination, but in recent decades, they have exerted an increasingly powerful centrifugal force, sending writers to the outer edges of the British-Irish archipelago in search of inspiration and insight. Drawing on contemporary ecocritical approaches, island studies, and emergent archipelagic perspectives, Ecocriticism and the Island explores a wide selection of island-themed creative non-fiction. Through a combination of textual analysis, and, where possible, original interviews and archival research, Pippa Marland offers new insights into the work of Tim Robinson, Brenda Chamberlain, Christine Evans, W.G. Sebald, Stephen Watts, Amy Liptrot, Ka...
Modern British Nature Writing, 1789–2020
This first full-length study of modern British nature writing is timely and invaluable for literary scholarship in the environmental crisis.
