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God of Justice
In God of Justice, anthropologist William S. Sax offers a fascinating glimpse into the world of cursing, black magic, and ritual healing in the Central Himalayas of North India. Based on ten years' ethnographic fieldwork, God of Justice shows how these practices are part of a moral system based on the principle of family unity.
Dancing the Self
Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. He saw and took part in many performances of the pandav lila, a ritual reenactment of scenes from the Mahabharata in dance.
Mountain Goddess
Every few decades, thousands of Hindu villagers in the Central Himalayas of North India carry their regional goddess Nandadevi in a bridal palanquin to her husband Shiva's home, walking barefoot over icebound mountain passes to a lake surrounded by human bones. This Royal Pilgrimage of Nandadevi is a ritual dramatization of the post-marital journeys of married women from their natal homes to their husbands' homes. Mountain Goddessis an anthropological study of this pilgrimage and the cult of Nandadevi, especially as they relate to local women's lives. The author shows how Nandadevi's appeal stems from the fact that her mythology parallels the life-courses of the local peasant women, and that her ritual procession imitates their annual journey to the village of their birth. Drawing on formal Indian theories, verbal commentaries, songs, interviews, articles, propaganda, legends, pan-Indian Sanskrit liturgies, historical documents, and the author's remarkable personal account of the pilgrimage, this gripping narrative is a unique resource for courses in the anthropology of religion, Hinduism, and folklore, ritual, and gender studies.
The Problem of Ritual Efficacy
This collection of 10 contributed essays is the first to explicitly address the question of ritual efficacy. The authors do not aspire to answer the question 'how do rituals work?' in a simplistic fashion, but rather to show how complex the question is. While some contributors do indeed advance a particular theory of ritual efficacy, others ask whether the question makes any sense at all, and most show how complex it is by referring to the sociocultural environment in which it is posed, since the answer depends on who is asking the question, and what criteria they use to evaluate the efficacy of ritual.
The Movement for Global Mental Health
In this volume, prominent anthropologists, public health physicians, and psychiatrists respond sympathetically but critically to the Movement for Global Mental Health (MGMH), which seeks to export psychiatry throughout the world. They question some of its fundamental assumptions: the idea that "mental disorders" can clearly be identified; that they are primarily of biological origin; that the world is currently facing an "epidemic" of them; that the most appropriate treatments for them normally involve psycho-pharmaceutical drugs; and that local or indigenous therapies are of little interest or importance for treating them. Instead, the contributors argue that labeling mental suffering as "illness" or "disorder" is often highly problematic; that the countries of South and Southeast Asia have abundant, though non- psychiatric, resources for dealing with it; that its causes are often social and biographical; and that many non-pharmacological therapies are effective for dealing with it. In short, they advocate a thoroughgoing mental health pluralism.
The Gods at Play
God is playful. Like a child building sand castles on the beach, God creates the world and destroys it again. God plays with his (or her) devotees, sometimes like a lover, sometimes like a mother with her children, sometimes like an actor in a play.The idea of God's playfulness has been elaborated in Hinduism more, perhaps, than any other religion, providing one of the most distinctive and charming aspects of Indian religious life. Lila or "divine play" can refer to many things: to God's playful creation of the world and to religious dramas or "plays," as well as to various motifs in Hindu art. But despite the importance of lila in the cultural history of South Asia, few comprehensive studies of it are available, partly because scholars have tended to emphasize only one dimension of lila--either the theological or the performative--at the expense of the other. The Gods at Play fills this gap by bringing together scholarly essays on all aspects of this important Hindu idea, providing students with a broader understanding of popular Hindu culture and religion.
