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This text is an accessible but challenging introduction to the debate on "governmentality" and the continued relevance of this body of work for the study of global politics.
In State Secrecy and Security: Refiguring the Covert Imaginary, William Walters calls for secrecy to be given a more central place in critical security studies and elevated to become a core concept when theorising power in liberal democracies. Through investigations into such themes as the mobility of cryptographic secrets, the power of public inquiries, the connection between secrecy and place-making, and the aesthetics of secrecy within immigration enforcement, Walters challenges commonplace understandings of the covert and develops new concepts, methods and themes for secrecy and security research. Walters identifies the covert imaginary as both a limit on our ability to think politics differently and a ground to develop a richer understanding of power. State Secrecy and Security offers readers a set of thinking tools to better understand the strange powers that hiding, revealing, lying, confessing, professing ignorance and many other operations of secrecy put in motion. It will be a valuable resource for scholars and students of security, secrecy and politics more broadly.
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
This book uses post-structuralist theories of power and discourse to study European integration and the associated forms of governance.
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This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overloo...
Cover -- Half Title -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Prologue -- CHAPTER ONE: The Cultivation of Lucas -- CHAPTER TWO: The Wandering Road to Paris -- CHAPTER THREE: Lucas and Paris in a Time of Transition -- CHAPTER FOUR: Lucas and Whistler -- CHAPTER FIVE: The Links to Lucas -- CHAPTER SIX: From Ecouen to Barbizon -- CHAPTER SEVEN: M, Eugène, and Maud -- CHAPTER EIGHT: When Money Is No Object -- CHAPTER NINE: The Lucas Collection -- CHAPTER TEN: The Final Years -- CHAPTER ELEVEN: The Terms of Lucas's Will -- CHAPTER TWELVE: A Collection in Search of a Home -- CHAPTER THIRTEEN: The Shot across the Bow -- CHAPTER FOURTEEN: The Glorification of Lucas -- CHAPTER FIFTEEN: In Judge Kaplan's Court -- CHAPTER SIXTEEN: Lucas Saved -- Postscript -- Appendix -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z