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The Unworthy Scholar from Pingjiang
Xiang Kairan, who wrote under the pen name “the Unworthy Scholar from Pingjiang,” is remembered as the father of modern Chinese martial arts fiction, one of the most distinctive forms of twentieth-century Chinese culture and the inspiration for China’s globally popular martial arts cinema. In this book, John Christopher Hamm shows how Xiang Kairan’s work and career offer a new lens on the transformations of fiction and popular culture in early-twentieth-century China. The Unworthy Scholar from Pingjiang situates Xiang Kairan’s career in the larger contexts of Republican-era China’s publishing industry, literary debates, and political and social history. At a time when writers ass...
Zhongnan Taoist
"My mother is dead. My grave will be opened six months later. I was born in her grave. I am a ghost." I was born with a yin constitution and was destined to be a Taoist my whole life. Otherwise, I would definitely not live past the age of thirteen. Don't ask me if there are any ghosts in this world. If you want to see a ghost, burn the paper, write down the name of the dead soul in your blood, and I'll have it come straight to you.
Detecting Chinese Modernities
In Detecting Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949), Yan Wei historicizes the two stages in the development of Chinese detective fiction and discusses the rupture and continuity in the cultural transactions, mediation, and appropriation that occurred when the genre of detective fiction traveled to China during the first half of the twentieth century. Wei identifies two divergent, or even opposite strategies for appropriating Western detective fiction during the late Qing and the Republican periods. She further argues that these two periods in the domestication of detective fiction were also connected by shared emotions. Both periods expressed ambivalent and sometimes contradictory views regarding Chinese tradition and Western modernity.
The Dragon in the Jungle
Western historians have long speculated about Chinese military intervention in the Vietnam War. It was not until recently, however, that newly available international archival materials, as well as documents from China, have indicated the true extent and level of Chinese participation in the conflict of Vietnam. For the first time in the English language, this book offers an overview of the operations and combat experience of more than 430,000 Chinese troops in Indochina from 1968-73. The Chinese Communist story from the "other side of the hill" explores one of the missing pieces to the historiography of the Vietnam War. The book covers the chronological development and Chinese decision-maki...
China and the Vietnam Wars, 1950-1975
In the quarter century after the founding of the People's Republic of China in 1949, Beijing assisted Vietnam in its struggle against two formidable foes, France and the United States. Indeed, the rise and fall of this alliance is one of the most crucial developments in the history of the Cold War in Asia. Drawing on newly released Chinese archival sources, memoirs and diaries, and documentary collections, Qiang Zhai offers the first comprehensive exploration of Beijing's Indochina policy and the historical, domestic, and international contexts within which it developed. In examining China's conduct toward Vietnam, Zhai provides important insights into Mao Zedong's foreign policy and the ide...
Going to the People
"It is generally believed that Mao Zedong’s populism was an abrupt departure from traditional Chinese thought. This study demonstrates that many of its key concepts had been developed several decades earlier by young May Fourth intellectuals, including Liu Fu, Zhou Zuoren, and Gu Jiegang. The Chinese folk-literature movement, begun at National Beijing University in 1918, changed the attitudes of Chinese intellectuals toward literature and toward the common people. Turning their backs on “high culture” and Confucianism, young folklorists began “going to the people,” particularly peasants, to gather the songs, legends, children’s stories, and proverbs that Chang-tai Hung here describes and analyzes. Their focus on rural culture, rural people, and rural problems was later to be expanded by the Chinese Communist revolutionaries."
