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‘Determination, grit and humour shine through’ Lindsey Hilsum, Observer Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection. A growing number of intrepid Arab and Middle Eastern sahafiyat – female journalists – are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. Here, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood. With a foreword by CNN chief international anchor Christiane Amanpour. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck
A New York Times Book Review Editors' Choice Pick “Cosmetic, tool of rebellion, status signifier: Eyeliner has been all these and more. Moving through millenniums and across civilizations, Hankir gives the makeup its eye-opening due.” —The New York Times Book Review “An impressive, rigorously researched, winding path through centuries and over continents.” —NPR.org “I loved Eyeliner. Hankir approaches her subject with dedicated curiosity, humility, and humor, blending anthropology, travel writing, memoir and history. A treat.” —Kassia St. Clair, author of The Secret Lives of Color From the acclaimed editor of Our Women on the Ground comes a dazzling exploration of the inter...
Winner of the PEN/Faulkner Award for Fiction "Hearken ye fellow misfits, migrants, outcasts, squint-eyed bibliophiles, library-haunters and book stall-stalkers: Here is a novel for you."--Wall Street Journal "A tragicomic picaresque whose fervid logic and cerebral whimsy recall the work of Bola o and Borges." --New York Times Book Review Finalist for the PEN/Faulkner Award for Fiction * Longlisted for the PEN/Open Book Award * An Amazon Best Book of the Year * A Publishers Weekly Bestseller Named a Best Book by: Entertainment Weekly, Harper's Bazaar, Boston Globe, Fodor's, Fast Company, Refinery29, Nylon, Los Angeles Review of Books, Book Riot, The Millions, Electric Literature, Bitch, Hello...
Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour “A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the...
Winner of the Dayton Literary Peace Prize and the Arab American Book Award A Best Book of the Year: NPR • NYLON • Kirkus • Bustle • BookPage "What does home mean when you no longer have a house—or a homeland? This beautiful novel traces one Palestinian family's struggle with that question and how it can haunt generations. . . . This is an example of how fiction is often the best filter for the real world around us." — NPR Lyrical and heartbreaking, Salt Houses follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can’t go home again. On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup...
A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of C...
"I set out to find a group of people who, like me, were possessed by a history they had never lived." The daughter of Holocaust survivors, Helen Epstein traveled from America to Europe to Israel, searching for one vital thin in common: their parent's persecution by the Nazis. She found: • Gabriela Korda, who was raised by her parents as a German Protestant in South America; • Albert Singerman, who fought in the jungles of Vietnam to prove that he, too, could survive a grueling ordeal; • Deborah Schwartz, a Southern beauty queen who—at the Miss America pageant, played the same Chopin piece that was played over Polish radio during Hitler's invasion. Epstein interviewed hundreds of men and women coping with an extraordinary legacy. In each, she found shades of herself.
"This is not just good storytelling, but a blueprint for survival." —The New York Times Book Review A transfixing and beautifully rendered novel about a refugee’s escape from civil war—and the healing power of community. A young woman sits in her apartment, watching the small daily dramas of her neighbors across the way. She is an outsider, a mute voyeur, safe behind her windows, and she sees it all—the sex, the fights, the happy and unhappy families. Journeying from her war-torn Syrian homeland to this unnamed British city has traumatized her into silence, and her only connection to the world is the magazine column she writes under the pseudonym “the Voiceless,” where she tries ...
From the award-winning author of Salt Houses, a rich family story, a personal look at the legacy of war in the Middle East, and an indelible rendering of how we hold on to the people and places we call home.
Sara is a philosophy professor at Kuwait University. Her relationship with Kuwait is complicated; it is a country she recognises less and less. Yet since her return from California after her mother's death, a certain inertia has kept her there. When she is accused of blasphemy – which carries with it the threat of execution – Sara realises she must reconcile her feelings and her place in the world once and for all. Awaiting trial, Sara retraces the past, intent on examining the lives of the women who made her. Interspersed with her narratives are the stories of her grandmothers: beautiful and stubborn Yasmine, who marries the son of the Pasha of Basra and lives to regret it, and Lulwa, b...