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History Thieves
Coming from a thoroughly secular Soviet background, the Russian-British novelist Zinovy Zinik became aware for the first time of his "Jewishness" when he emigrated to Israel in the 1970s. In this stylistically innovative autobiographical taleZinik describes how an unheimliche experience in Berlin--of seeing for real the house he dreamed about many years before in London-led him to investigate the chequered and enigmatic past of his Russian-born grandfather, who, while ostensibly practicing as a doctor in Lithuania, was building the Soviet empire from which Zinik tried to escape 50 years later. In the manner of the classic detective story, Zinik's meditation on "assumed identity" and "plagiarized past" culminates in the notion of recognition as a redeeming factor, suggesting that it is not only central to the twentieth-century Jewish experience or even the wider world of émigrés, exiles and migrants of all kinds, but to the human condition itself.
Tekstura
Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union? Taking its title from a Russian word that can refer to the 'texture" of life, painting, or writing, this anthology assembles thirteen key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism, art and everyday life. Everything visual is deemed worthy of analysis, whether painting or propa...
Lucifer Over London
London, a city of constant transition, transaction, translation. London does not exist; London is a language without a place and it is the aphasic city; it's the mother of all languages. Lucifer Over London is a new anthology nine narrative essays written by a host of international prize-winning authors including Chloe Aridjis, Viola di Grado, Xiaolu Guo, Joanna Walsh and Zinovy Zinik. First published in Italy by Humboldt Books, Lucifer Over London is now appearing in English for the first time. This is a version of London as seen from the immigrants of recent migrations, of deportations to come, from those who create London even as they contradict it.
Reconstructing the Canon
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Reconstructing the Canon
This book, first published in 2000, features analyses about and by some of the most important Russian writers of the 1980s, a period of great changes in the cultural life of Russia when the controls of Soviet communism gave way to a wide diversity of unfettered writing. A variety of critical approaches matches the diversity of Russian writers considered here. The book features David Bethea’s theoretical discussion of the work of the outstanding critic and cholar Iurii Lotman and a fascinating extending interview with leading poet Ol’ga Sedakova. Several writers and works receive their first scholarly analyses in English, such as Sasha Sokolov’s complex postmodern novel, Between Dog and...
Ford Madox Ford
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War...
One-way Ticket
Stories on the lot of an emigre, describing the simultaneous longing and rejection of a past that is gone forever. In one story, the emigre protagonist returns to Moscow and is gripped by nostalgia upon smelling garbage mixed with urine. By the author of The Mushroom Picker.
Studies in the History of Russian-Israeli Literature
This collection of essays covers a hundred-year history of Russian-language literature in Israel, including the pre-state period. Some of the studies are devoted to an overview of the literary process and the activities of its participants, others—to individual genres and movements. As a result, a complex and multifaceted picture emerges of a not quite fully defined, but very lively and dynamic community that develops in the most difficult conditions. The contributors trace the paths of Russian-Israeli prose, poetry and drama, various waves of avant-garde, fantasy, and critical thought. Today, in Russian-Israeli literature, the voices of writers of various generations and waves of repatriation are intertwined: from the "seventies" to the "war aliyah" of the recent times. Both the Russian-Israeli authors and their critics often hold different opinions of their respective roles in Israel’s historical and literary storms. While disagreeing on the definition of their place on the map of modern culture, Russian-Israeli writers are united by a shared bond with the fate of the Jewish state.
