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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ’s original use of candle metaphors, the translation of Khayyām’s metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
An original examination of the role of poetry during the Iranian Revolution and the Iran-Iraq War, this book offers insights into the use of Persian poetry to mobilise people to the front, to exalt violence and to present death as martyrdom. It analyses the poetry by revolutionaries, Diaspora and the opposition, showing how peaceful medieval Sufi metaphors are transformed into the reality of a modern war, and how Shiism clashes with Wahhabism. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology...
This book is the first study of Persian literary riddles to appear in English, analysing a wide range of complex riddling poems systematically from the tenth to the twelfth century. In addition to the genre of riddles, the book examines the relationship between metaphors and riddles and the genre of literary description. Riddles belong to the oldest genre in many literary traditions. O amber-bodied idol, precious ruby! You are fire with ambergris smoke, amber with fiery smoke; You have silver in your heart, red sulfur in your mouth; You have a snake in your throat, its teeth are on your tongue. You are the sun, burning the heaven, a meteor whose throne is the moon, fenugreek bearing flowers,...
This book is the first comprehensive analysis of Nezāmī's romance Laylī and Majnūn (1188). It examines key themes such as chastity, constancy and suffering through an analysis of the main characters. Majnūn's asceticism, kingship, love-madness, poetic genius, ill-fate, and love-death are treated in separate chapters. The patriarchal society in which Laylī lives, her anxieties and dilemmas, incarceration, secret love, imposed marriage and finally her death are discussed in detail. One chapter is devoted entirely to the different ways parents raise their children and the consequences. Finally, the book gives an analysis of Nezāmī's style, the narrative structure of the romance and the symbolism of time and setting.
This book deals with nonconformist aspects of Sufism, and other antinomian movements in the Persianate cultural areas. The chapters cover a variety of subjects, ranging from gender and the role of women in Islamic mysticism, to genuine versus sham piety, belief versus unbelief, the notion of metempsychosis (tan.sukh) in the mystical philosophy of Shih.b al-D.n Suhravard., and the influential role of the Persian sage .Umar Khayy.m in religious discussions on piety in Persia, and his reception history in Europe.
From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran's citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran's experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.
This is a chronological history of the Sufi tradition, divided in to three sections, early, middle and modern periods. The book comprises 35 independent chapters with easily identifiable themes and/or geographical threads, all written by recognised experts in the field. The volume outlines the origins and early developments of Sufism by assessing the formative thinkers and practitioners and investigating specific pietistic themes. The middle period contains an examination of the emergence of the Sufi Orders and illustrates the diversity of the tradition. This middle period also analyses the fate of Sufism during the time of the Gunpowder Empires. Finally, the end period includes representative surveys of Sufism in several countries, both in the West and in traditional "Islamic" regions. This comprehensive and up-to-date collection of studies provides a guide to the Sufi tradition. The Handbook is a valuable resource for students and researchers with an interest in religion, Islamic Studies and Middle Eastern Studies.
The Persian epic that inspired Eric Clapton's unforgettable love song "Layla" and that Lord Byron called "the Romeo and Juliet of the East," in a masterly new translation A Penguin Classic The iconic love story of the Middle East, by a twelfth-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness, desire is sublimated into a mystical renunciation of the physical world, and the soul confronts its essence. This is a tour de force of Persian literature, in a translation that captures the extraordinary power and virtuosity of the original.
The Layered Heart Essays on Persian Poetry is published in celebration of the poet and scholar Dick Davis, dubbed "our pre-eminent translator from Persian" by The Washington Post. Edited by Ali-Asghar Seyed-Ghorab, Associate Professor of Persian at Leiden University, the volume includes twenty-one essays about Persian culture and literature, ranging from classical Persian poetry to modern literary topics. Written by foremost scholars in the field, each of the essays is original and ground-breaking either in content or in methodology, while together they encompass a broad sweep of Iranian history, from pre-Islamic times to the present. They offer a fascinating, multi-faceted view of the Persi...
Gog and Magog originate in the Bible and Quran as savage tribes threatening a settled people. The story has been elaborated in the traditions of diverse cultures. The figures are constantly reinterpreted as the figures of the enemies of order change: for the Persians of Ferdowsi's time they are Turks, for contemporary Israelis they are Arabs, and so on. This work deals with Gog and Magog in Indonesia, the Persian-speaking and Arabic-speaking worlds, and in the West, in classical and contemporary cultures.