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This book deals with nonconformist aspects of Sufism, and other antinomian movements in the Persianate cultural areas. The chapters cover a variety of subjects, ranging from gender and the role of women in Islamic mysticism, to genuine versus sham piety, belief versus unbelief, the notion of metempsychosis (tan.sukh) in the mystical philosophy of Shih.b al-D.n Suhravard., and the influential role of the Persian sage .Umar Khayy.m in religious discussions on piety in Persia, and his reception history in Europe.
This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ’s original use of candle metaphors, the translation of Khayyām’s metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
An original examination of the role of poetry during the Iranian Revolution and the Iran-Iraq War, this book offers insights into the use of Persian poetry to mobilise people to the front, to exalt violence and to present death as martyrdom. It analyses the poetry by revolutionaries, Diaspora and the opposition, showing how peaceful medieval Sufi metaphors are transformed into the reality of a modern war, and how Shiism clashes with Wahhabism. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology...
The Safina is a massive, well preserved manuscript from 14th-century Tabriz in Persia, a centre for learning and cultural activities including manuscript production and illumination. Containing 209 works in Persian and Arabic, it is a complete treasure-house between two covers. The texts in the compendium show the canon of learning for a man of letters in the Islamic world. It covers prophetic traditions, ethics, mysticism, jurisprudence, theology, exegesis, history, grammar, literature and literary criticism, philosophy, astronomy and astrology, geomancy, mineralogy, mathematics, medicine, music, cosmography and geography. For the first time, Safina Revealed introduces diverse aspects of this compendium. Safina Revealed contains fourteen articles each revolving around a specific topic, explaining its importance in the cultural and literary milieu of the 14th-century Islamic world.
This book is the first comprehensive analysis of Nezāmī's romance Laylī and Majnūn (1188). It examines key themes such as chastity, constancy and suffering through an analysis of the main characters. Majnūn's asceticism, kingship, love-madness, poetic genius, ill-fate, and love-death are treated in separate chapters. The patriarchal society in which Laylī lives, her anxieties and dilemmas, incarceration, secret love, imposed marriage and finally her death are discussed in detail. One chapter is devoted entirely to the different ways parents raise their children and the consequences. Finally, the book gives an analysis of Nezāmī's style, the narrative structure of the romance and the symbolism of time and setting.
Gog and Magog, as archetypes of evil, have dwelt in our consciousness since their threatening appearance in the Bible and Quran. Maps, literature and texts ranging from Medieval Europe, the Byzantine and Arab world, in Berber, Persian and Indonesian traditions, to contemporary internet texts: all use these imaginary monstrous creatures. The figures are constantly reinterpreted as the enemies of order change. Gog and Magog have been represented with dog heads, snake tongues. On the covers of contemporary Arab apocalyptic literature they may be giants or half-humans. This volume Embodiments of Evil: Gog and Magog reveals in eight essays the images of the 'Other' in genres ranging from contemporary folk religion on the internet to the rich literary heritage of Alexander romances.
This book is the first study of Persian literary riddles to appear in English, analysing a wide range of complex riddling poems systematically from the tenth to the twelfth century. In addition to the genre of riddles, the book examines the relationship between metaphors and riddles and the genre of literary description. Riddles belong to the oldest genre in many literary traditions. O amber-bodied idol, precious ruby! You are fire with ambergris smoke, amber with fiery smoke; You have silver in your heart, red sulfur in your mouth; You have a snake in your throat, its teeth are on your tongue. You are the sun, burning the heaven, a meteor whose throne is the moon, fenugreek bearing flowers,...
This book is the first extensive research on the role of poetry during the Iranian Revolution (1979) and the Iran-Iraq War (1980-1988). How can poetry, especially peaceful medieval Sufi poems, be applied to exalt violence, to present death as martyrdom, and to process war traumas? Examining poetry by both Islamic revolutionary and established dissident poets, it demonstrates how poetry spurs people to action, even leading them to sacrifice their lives. The book's originality lies in fresh analyses of how themes such as martyrdom and violence, and mystical themes such as love and wine, are integrated in a vehemently political context, while showing how Shiite ritual such as the pilgrimage to ...
This unique book is the first publication on the art of teaching Persian literature in English, consisting of 18 chapters by prominent early-career, mid-career and established scholars, who generously share their experiences and methodologies in teaching both classical and modern Persian literature across various academic traditions in the world. The volume is divided into three parts: the background to teaching Persian literature: pedagogy, translation and canon, and thematic and topical approaches to the Persian literature class. It includes such topics as the history of teaching Persian literature, the traditional teaching of Persian literature, the political and ideological intentions re...
This is a chronological history of the Sufi tradition, divided in to three sections, early, middle and modern periods. The book comprises 35 independent chapters with easily identifiable themes and/or geographical threads, all written by recognised experts in the field. The volume outlines the origins and early developments of Sufism by assessing the formative thinkers and practitioners and investigating specific pietistic themes. The middle period contains an examination of the emergence of the Sufi Orders and illustrates the diversity of the tradition. This middle period also analyses the fate of Sufism during the time of the Gunpowder Empires. Finally, the end period includes representative surveys of Sufism in several countries, both in the West and in traditional "Islamic" regions. This comprehensive and up-to-date collection of studies provides a guide to the Sufi tradition. The Handbook is a valuable resource for students and researchers with an interest in religion, Islamic Studies and Middle Eastern Studies.