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Objects of Vision
Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated ...
A Concise Companion to Visual Culture
Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methods The Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations. This accessible, reader-friendly volume begins with a brief introduction to the history and practi...
The Beautiful Necessity
A noted American architect of the early twentieth century discusses universal principles behind the harmonious forms and proportions of ancient and modern buildings. Seven essays by Claude Bragdon offer a master class in the architectural union of art, beauty, and science. His observations and analyses encompass a tremendous variety of buildings, from Gothic cathedrals to Giotto's Campanile to the Taj Mahal, and his examples extend far beyond architecture to the natural symmetry found in the feathers of a peacock's tail, snowflakes, plants, and the human face. "Art in all its manifestations is an expression of the cosmic life," notes the author, "and its symbols constitute a language by means of which this life is published and represented. Art is at all times subject to the 'Beautiful Necessity' of proclaiming the 'world order'." Bragdon's theories are illuminated by his graceful black-and-white line drawings, which portray the essentials of line and proportion as expressed in many well-known buildings and paintings.
The Beautiful Necessity
"The Beautiful Necessity" by Claude Fayette Bragdon is a captivating exploration of the principles of design and the interplay between art, nature, and spirituality. In this seminal work, Bragdon argues that beauty is not merely an aesthetic quality but an essential aspect of existence, permeating all aspects of life and imbuing the universe with meaning and purpose. At the core of Bragdon's philosophy is the belief that beauty is not a luxury but a fundamental necessity for human flourishing. Drawing upon insights from philosophy, mathematics, and mysticism, he traces the evolution of aesthetic principles throughout history and explores their implications for art, architecture, and everyday...
Thomas Hart Benton and the American Sound
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
The Making of the American Creative Class
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
Futures of Dance Studies
A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts—onstage, on screen, in the studio, and on the street—and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields.
Art for an Undivided Earth
In Art for an Undivided Earth Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world—an undivided earth.
There She Goes Again
There She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart,There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
