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The New Negro
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
Alain L. Locke
Alain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life. Leonard Harris and...
Alain Leroy Locke
Drawing on the philosopher's writings as well as the recollections of several people who knew him, Cain (education, State U. of New York) examines Locke's philosophy of cultural pluralism and the impact of his grounding in philosophy as he became immersed in the adult education movement of the 1920s to the 1940s. The study looks at how Locke expected others to use his aesthetic, literary, and anthropological theories as instruments for social and political transformation, and discusses the links and contrasts between Locke's thinking and the work of Booker T. Washington and W.E.B. DuBois. Seven b&w photos follow the text. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Alain Leroy Locke
This book fills a void in the scholarly treatment of Alain Locke by providing the reader with a comprehensive view of Locke’s vision of mass, and adult, education as instruments for social change. It is representative of the remarkable optimistic manifesto of 1925 in which the “New Negro,” by virtue of a cosmopolitan education emphasizing value pluralism, would become a full participant in American culture. This text delineates Locke’s crucial contribution to the philosophy of adult education and provides insights into how he expected others to use his aesthetic, literary, and anthropological theories as instruments for social and political transformation.
The New Negro
The definitive biography of Alain Locke, the first African American Rhodes Scholar and Harvard PhD in philosophy, Howard University philosophy scholar, and architect of the Harlem Renaissance, who mentored a generation of artists including Langston Hughes and Zora Neale Nurston and promoted the work of African Americans as the quintessential creators of American modernism. This biography explores his professional and private life, including his relationships with white patrons and his lifelong search for love as a gay man.
The Philosophy of Alain Locke
Important writings on cultural pluralism, value relativism, and critical relativism
The New Negro
A portrait of the vibrant world of 1920s Harlem, with writings by Langston Hughes, W. E. B. Du Bois, Zora Neale Hurston, Claude McKay, Walter White, and more. The Harlem Renaissance was a landmark period in African American history—a time when black poets, musicians, intellectuals, civil rights activists, and others changed the social and cultural landscape in enduring ways. Its influence went far beyond the confines of uptown New York City, as it incorporated voices from the Great Migration, in which African Americans moved north in vast numbers; and elevated artists and thinkers who would become iconic figures in not only Black history, but also American history. Now considered the definitive work of the Harlem Renaissance, The New Negro features fiction, poetry, and essays that shaped the era. “A book of unusual interest and value.” —The New York Times “[Locke was] the godfather of the Harlem Renaissance.” —Publishers Weekly “Alain Locke is a critical—and complex—figure in any discussion of African-American intellectual history.” —Kirkus Reviews
The Works of Alain Locke
A comprehensive collection of essays by the leading early 20th-century public intellectual covers a broad range of topics from philosophy and literary criticism to race and politics, offering insight into his considerable contributions to the Harlem Renaissance and influence in helping to launch the civil rights movement.
The Critical Pragmatism of Alain Locke
This book provides a comprehensive overview of Alain Locke's pragmatist philosophy. It aims to capture the radical implications of Locke's approach within pragmatism, the critical temper embedded in Locke's works, the central role of power and empowerment of the oppressed, and the concept of broad democracy Locke employed. Arguing that the school of thought Locke initiated is best described as critical pragmatism, the well-known philosopher and Locke scholar, Leonard Harris, provides a clear and thorough introduction to Locke's thought that will be useful to students and scholars alike. At a time when critical theory in all forms_post-Marxist, legal, race, and gender theory_is undergoing a major reassessment, this volume is especially timely. Locke's critical pragmatism arguably avoids the pitfalls of critical theory, anticipates its tremendous contribution to human liberation, and offers an alternative to the limitations of classical pragmatism. This volume introduces unique individual interpretations of Locke and critical reflections on his philosophy. Each author, in the spirit of Locke's critical temper, offers their own contribution to extremely difficult issues.
