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A full-length, critical biography examining the life and work of the poet and literary giant of the Harlem Renaissance. While competing with Langston Hughes for the title of “Poet Laureate of Harlem,” Countée Cullen (1903–46) crafted poems that became touchstones for American readers, both black and white. Inspired by classic themes and working within traditional forms, Cullen shaped his poetry to address universal questions like love, death, longing, and loss while also dealing with the issues of race and idealism that permeated the national conversation. Drawing on the poet’s unpublished correspondence with contemporaries and friends like Hughes, Claude McKay, Carl Van Vechten, Do...
Alain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life. Leonard Harris and...
This book was originally published as an issue of South Atlantic Quarterly. Beginning with an introduction by Lentricchia, the volume covers every significant element of DeLillo's art, and describes the social and intellectual context in which DeLillo's writings must be understood. It includes general essays on the novelist's work by Daniel Aaron, Hal Crowther, John A. McClure, and Eugene Goodheart and detailed analyses of individual works by Anthony DeCurtis, Charles Molesworth, Dennis A. Foster, and John Frow. The volume reprints Anthony DeCurtis' insightful interview with DeLillo that originally appeared in Rolling Stone, and includes Chapter 10 of DeLillo's Ratner's Star as an example of the author's wit, verbal pyrotechnics, and thematic concerns. ISBN 0-8223-1135-6: $29.95.
With the publication of The New Negro in 1925, Alain Locke introduced readers all over the U.S. to the vibrant world of African American thought. As an author, editor, and patron, Locke rightly earned the appellation "Godfather of the Harlem Renaissance." Yet, his intellectual contributions extend far beyond that single period of cultural history. Throughout his life he penned essays, on topics ranging from John Keats to Sigmund Freud, in addition to his trenchant social commentary on race and society. The Works of Alain Locke provides the largest collection available of his brilliant essays, gathered from a career that spanned forty years. They cover an impressively broad field of subjects: philosophy, literature, the visual arts, music, the theory of value, race, politics, and multiculturalism. Alongside seminal works such as "The New Negro" the volume features essays like "The Ethics of Culture," "Apropos of Africa," and "Pluralism and Intellectual Democracy." Together, these writings demonstrate Locke's standing as the leading African American thinker between W. E. B. Du Bois and Martin Luther King, Jr. The foreword by Henry Louis Gates Jr. and the introduction by
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
Anika Molesworth fell in love with her family's farm, a sheep station near Broken Hill, at an early age. She formed a bond with the land as though it were a member of her family. When the Millennium Drought hit, though, bringing with it heatwaves and duststorms, the future she'd always imagined for herself began to seem impossible. As she learned more about the causes of - and the solutions to - the extreme weather that was killing her land and her livelihood, Anika became fired up and determined to speak out. Talking to farmers and food producers all around the world, she soon realised that there was a way forward that could be both practical and sustainable - if only we can build up the co...
A Group of Their Own is the fascinating story of the first generations of women who went to college to learn to be writers and then launched their careers writing poetry and prose. This unprecedented group included Elizabeth Bishop, Ruby Black, Pearl Buck, Emma Bugbee, Willa Cather, Zona Gale, Mildred Gilman, Zora Neale Hurston, Mary McCarthy, Marianne Moore, Eudora Welty, and Margaret Walker.
The untold story of African-born migrants and their vibrant African influence in Harlem. From the 1920s to the early 1960s, Harlem was the intellectual and cultural center of the Black world. The Harlem Renaissance movement brought together Black writers, artists, and musicians from different backgrounds who helped rethink the place of Black people in American society at a time of segregation and lack of recognition of their civil rights. But where is the story of African immigrants in Harlem’s most recent renaissance? Africans in Harlem examines the intellectual, artistic, and creative exchanges between Africa and New York dating back to the 1910s, a story that has not been fully told unt...
From his leadership of the first modern lunch counter sit-ins at age twenty to his work on African American reparations at the time of his death at age seventy-two, Ronald W. Walters (1938–2010) was at the cutting edge of African American politics. A preeminent scholar, activist, and media commentator, he was founding chair of the Black Studies Department at Brandeis, where he shaped the epistemological parameters of the new discipline. Walters was an early strategist of congressional black power and a longtime advocate of a black presidential candidacy. His writings on the politics of race in America both predicted the constraints on President Obama in advancing African American interests and anticipated the emergence of the white nationalism found in the Tea Party and Donald Trump insurgency. In this fascinating book, Robert C. Smith combines history and biography to offer an overview of the last half century of black politics in America through the lens of the life and work of the man often described as the W. E. B. Du Bois of his time.