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"One of the great masters of 20th-century art, the Swiss sculptor Alberto Giacometti captured the existential loneliness of modern humanity with his spindly, attenuated figures whose life-like gazes pierce the vastness of space. Uniting more than 250 sculptures, paintings, drawings and graphic works, this extensive monograph is an exemplary overview of his oeuvre." "The book underscores the continuity between the two remarkable bodies of work that characterize his career: the pre-1935 works, which included the finest of all Surrealist sculptures, and the post-war masterpieces. As a result of a profound artistic crisis that began in 1934, when Giacometti returned to working from the model and...
Giacometti fut un des artistes les plus importants du XXe, siècle. En rupture aussi bien avec la tradition figurative qu'avec les recherches contemporaines qui donnaient priorité au jeu des signes sur le questionnement de la condition humaine, il a élaboré un art qui atteste avec gravité, et une intensité sans égale, de la présence des autres êtres, la devant lui pour leur moment d'existence. Un art qui n'est doue pas seulement de l'art, mais une prise de position métaphysique et morale, de celles dont la société a besoin : d'où l'immense adhésion qu'il suscita. Yves Bonnefoy, qui a connu Giacometti et lui a consacré naguère une étude extrêmement détaillée, dégage à grands traits aujourd'hui ce que furent cet esprit et son oeuvre.
Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and ...
SCULPTURE. Alberto Giacometti (1901-1966) was the son of the Swiss painter Giovanni Giacometti. Born and raised in Val Bregaglia, after 1922 he lived primarily inParis following studies in Geneva and Rome . He created a stir among the Surrealists in the thirties, and was active as a lamp and vase designer. He developed his noted late work, extremely thin bronze figures symbolic of human existence, during and after World War II. This volume from the series Art to Read is an outstanding introduction to the life and work of this important and simultaneously puzzling artist, one who decisively influenced our understanding of sculpture in space.
"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations of space and time. Alberto Giacometti: The Origin of Space supplies a comprehensive overview of the later works of this lastingly influential artist, presenting 200 color images of sculptures, paintings and drawings.
From the Blurb: One of the great masters of 20th century art, the Swiss sculptor Alberto Giacometti captured the existential loneliness of modern humanity with his spindly, attenuated figures whose life-like gazes pierce the vastness of space. Uniting more than 250 sculptures, paintings, drawings and graphic works, this extensive monograph is an exemplary overview of his oeuvre. The book underscores the continuity between the two remarkable bodies of work that characterize his career: the pre-1935 works, which included the finest of all Surrealist sculptures, and the post-war masterpieces. As a result of a profound artistic crisis that began in 1934, when Giacometti returned to working from the model and thus broke with the Surrealists, the artist began tackling the problem of situating figures in space in an entirely new way. Painting played a key role in the solutions that Giacometti found to this problem, and the discussion here of the relationship between his two- and three- dimensional works reveals him to have been as great a painter as he was a sculptor.
Alberto Giacometti's attenuated figures of the human form are among the most significant artistic images of the twentieth century. Jean-Paul Sartre and Andre Breton are just two of the great thinkers whose thought has been nurtured by the graceful, harrowing work of Giacometti, which continues to resonate with artists, writers and audiences. Timothy Mathews explores fragility, trauma, space and relationality in Giacometti's art and writing and the capacity to relate that emerges. In doing so, he draws upon the novels of W.G. Sebald, Samuel Beckett and Cees Nooteboom and the theories of Maurice Blanchot and Bertolt Brecht; and recasts Giacometti's Le Chariot as Walter Benjamin's angel of history. This book invites readers on a voyage of discovery through Giacometti's deep concerns with memory, attachment and humanity. Both a critical study of Giacometti's work and an immersion in its affective power, it asks what encounters with Giacometti's pieces can tell us about our own time and our own ways of looking; and about the humility of relating to art.
"Alberto Giacometti (1901-1966) always saw himself at the center of a cosmos of events and people, a notion that characterized his examination of the relation between figure, time, and space, and in which the members of his family played an important role. Alberto's father, the painter Giovanni Giacometti, encouraged his son from an early age. His brother Diego was his assistant and model, and after Alberto's death, he became famous for his bronze furniture. Bruno, the youngest brother and a renowned architect; Annetta, his mother; Annette, Alberto's wife; and Silvio, the son of his sister Ottilia, who died in childbirth, were all indispensable models for him. Finally, although he was only a...
A comprehensive survey of the work of the legendary Swiss artist, this book illustrates and examines more than 100 of his sculptures, paintings, drawings, and prints This lavishly illustrated retrospective traces the early and midcareer development of the preeminent Swiss artist Alberto Giacometti (1901-1966), examining the emergence of his distinct figural style through works including a series of walking men, elongated standing women, and numerous busts. Rare paintings and drawings from his formative period show the significance of landscape in Giacometti's work, while also revealing the influence of the postimpressionist painters that surrounded his father, the artist Giovanni Giacometti....