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Modernism, Mass Culture, and the Aesthetics of Obscenity
How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.
Reading Wilde
One hundred years ago, in the London of the elderly Queen Victoria, the trials of Oscar Wilde offered the court of public opinion its first opportunity to debate the ethics of homosexuality; unfortunately for Wilde, his trials offered the nation's legal system the same opportunity. Oscar Wilde-Novelist, poet, playwright, aesthete, reputed homosexual, enigma-was tried and convicted of practicing indecent acts and sentenced to two years of hard labor, dying less than three years after his release. Reading Wilde commemorates the centenary of the Wilde trials by returning to the many sites visited, and profoundly changed, by Oscar Wilde. The essays trace his powerful impact in the aesthetic, political, spiritual, and moral circles if late Victorian England.
Modernism, Feminism and the Culture of Boredom
Illustrates how boredom formed an important category of critique against the constraints of women's lives in British modernist literature.
The King and the Land
The King and the Land offers an innovative history of space and power in the biblical world. Stephen C. Russell shows how the monarchies in ancient Israel and Judah asserted their power over strategically important spaces such as privately-held lands, religious buildings, collectively-governed towns, and urban water systems. Among the case studies examined are Solomon's use of foreign architecture, David's dedication of land to Yahweh, Jehu's decommissioning of Baal's temple, Absalom's navigation of the collective politics of Levantine towns, and Hezekiah's reshaping of the tunnels that supplied Jerusalem with water. By treating the full range of archaeological and textual evidence available for the Iron Age Levant, this book sets Israelite and Judahite royal and tribal politics within broader patterns of ancient Near Eastern spatial power. The book's historical investigation also enables fresh literary readings of the individual texts that anchor its thesis.
In-Between Empire
Exploring how Polish writers positioned themselves as neither colonized nor colonizers, In-Between Empire analyses their literary works on empire during the 19th and 20th centuries to explore how they negotiated their in-between position in the global imperial hierarchy. Leveraging this vantage point, they claimed the unique ability to represent the South to the West, constructing a Polish national identity in conversation with both imperial and anti-imperial currents, and influencing international discourse on colonialism and its legacy. Written at the nexus of historical and literary studies of imperial and colonial discourse, Patton centres Poland and Eastern Europe in debates that have f...
Journalism and the Periodical Press in Nineteenth-Century Britain
A comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain.
Literary Digital Stylistics in Translation Studies
This book presents a systematic literary comparison of the retranslations by adopting a mixed-method and bottom-up (inductive) approach by developing an empirical corpus approach. This corpus is specifically tailored to identify and study linguistic and non-linguistic modernist features throughout the texts, such as stream of consciousness-indirect interior monologue and free indirect speech. All occurrences are analysed quantitatively in the computations of inferential and comparative statistics, such as tests of time trends, lexical variety, and lexical frequency. The target texts are digitised, and the resulting text files are then analysed using a bespoke, novel computer program capable ...
Cupid's Knife: Women's Anger and Agency in Violent Relationships
Much domestic violence literature has called attention to the fact that women's material needs for shelter, daycare, employment, and legal protection may render them helpless to leave toxic relationships. Yet, even with the provision of these, many women remain tightly wound in their abusers' embrace. In Cupid's Knife: Women's Anger and Agency in Violent Relationships, Abby Stein draws on the gripping narratives of physically and emotionally abused women to illuminate how splitting off their own aggression undermines women's agency, making it almost impossible for them to leave violent partners. Psychology, with its focus on 'managing' men's anger in violent relationships, has had little to ...
The Bloomsbury Handbook to D. H. Lawrence
Showcasing the most exciting contemporary scholarship on D. H. Lawrence, this comprehensive collection serves as both an overview of the field at present as well as an examination of new approaches and directions in D. H. Lawrence studies. Explicitly interdisciplinary in its focus and covering fields such as Bibliotherapy, sustainability and animal studies, this book: · Provides new insights into Lawrence as a transnational figure whose work responds to global cultures; · Considers Lawrence in light of broader developments within modernist studies; · Examines Lawrence's work in relation to material cultures and his engagements with print, publishing and literary networks. Contributors are comprised of established international experts in D. H. Lawrence studies as well as newer voices. This collection provides a comprehensive resource for literature students at all levels, from undergraduates and postgraduates to scholars and advanced readers interested in developing their knowledge of D. H. Lawrence.
