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Allusions in the Press
Biographical note: Paul Lennon teaches at the University of Bielefeld, Germany.
The Facts On File Dictionary of Classical and Biblical Allusions
This indispensable work is a comprehensive resource offering abundant information that students and general readers of all ages will find clear and to the point. A useful companion to The Facts On File Dictionary of Cultural and Historical Allusions explains the meanings and origins of allusions from the Bible and classical mythology, including Greek, Roman, Norse, Celtic, and Egyptian. It features approximately 2,000 entries, from Abelard and Heloise to Zeus. It covers biblical and mythological figures (Narcissus, Athena, Daniel), places (Mount Olympus, Gesthemane, Elysian Fields), key concepts (doomsday, utopia), and other references with biblical and mythological origins (judgment of Solomon, salt of the earth, patience of Job, labors of Hercules). It also includes a pronunciation key for difficult words or terms; examples of usage; and extensive cross-references.
Culture Bumps
This work focuses on translators and readers as participants in the communicative process, where the use of allusions is one type of problem to be solved. Reader-response tests and interviews with professional translators highlight the difficulty in conveying the function and meaning of allusive passages to readers in another culture. The many examples discussed also provide materials for translation teachers wanting to address the translation of allusions in their courses.
Allusions in Ulysses
This comprehensive list of allusions found in James Joyce's modern classic, Ulysses, is in itself a classic and is a feat of literary scholarship of unprecedented magnitude. In brief, this book is a copiously annotated list of Joyce's allusions in such areas as literature, philosophy, theology, history, and the fine arts. So awesome an undertaking would not have been possible without the prior work of such persons as Stuart Gilbert, Joseph Prescott, William York Tindall, M.J.C. Hodgart, Mabel Worthington, and many others. But the present list is more than a compilation of previously discovered allusions, for it contains many allusions that have never been suggested before, as well as some th...
Allusion
Allan H. Pasco's Allusion looks at the way allusion works in specific fictions and how it affects the process of reading. Drawing from a wide range of French authors, Pasco uses a number of examples to show how allusions work, how texts integrate other texts to create new metaphorical constructs.
Allusions
Smoke from the barrel of the Glock 9mm filled the air as the screams of a woman echoed in the background. The club which was once filled with trap music and loud patrons was now suffocated with clouds of gun smoke and splatters of blood. Behind the black leather chair against the wall which once was covered with the green Jamaican flag, now was drenched in bloody back matter. In the chair now scrunched over a body. Shot once in the head and twice in the chest. The shooter turned to the dark brown skinned girl screaming in the corner clutching her half naked body and immediately saw the fear in her eyes. You always knew working for a club could get you fucked up but never thought it would cos...
Renaissance of Classical Allusions in Contemporary Russian Media
Renaissance of Classical Allusions in Contemporary Russian Media builds on a growing body of work concerning post-Soviet media culture during the last, transformative decade. Making sense of the literary allusions in media discourse, Svitlana Malykhina reminds us that allusions can serve as a primary marker of identity—national and cultural—and may also be a way of negotiating the gap between what has to be reported and what can be banned by censorship. Malykhina presents the changes and continuities between rhetoric strategies of Soviet-style media and postcommunist Russian media, identifying the key literary and historical references in public discourse, which are then picked up by the...
The Play of Allusion in the Historia Augusta
By turns outlandish, humorous, and scatological, the Historia Augusta is an eccentric compilation of biographies of the Roman emperors and usurpers of the second and third centuries. Historians of late antiquity have struggled to explain the fictional date and authorship of the work and its bizarre content (did the Emperor Carinus really swim in pools of floating apples and melons? did the usurper Proculus really deflower a hundred virgins in fifteen days?). David Rohrbacher offers, instead, a literary analysis of the work, focusing on its many playful allusions. Marshaling an array of interdisciplinary research and original analysis, he contends that the Historia Augusta originated in a circle of scholarly readers with an interest in biography, and that its allusions and parodies were meant as puzzles and jokes for a knowing and appreciative audience.
The Reader's Handbook of Allusions, References, Plots and Stories
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