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Many of the classic questions of philosophy have been raised, illuminated, and addressed in celluloid. In this Third Edition of Philosophy through Film, Mary M. Litch teams up with a new co-author, Amy Karofsky, to show readers how to watch films with a sharp eye for their philosophical content. Together, the authors help students become familiar with key topics in all of the major areas in Western philosophy and master the techniques of philosophical argumentation. The perfect size and scope for a first course in philosophy, the book assumes no prior knowledge of philosophy. It is an excellent teaching resource and learning tool, introducing students to key topics and figures in philosophy ...
A History of Artificially Intelligent Architecture: Case Studies from the USA, UK, Europe and Japan, 1949-1987 provides a comprehensive survey of architectural projects exhibiting intelligence since the Late First Century right up to the present day. Tracing the social, scientific and technological developments, this book analyses case studies from both conceived and executed architectural projects by Architects and Cyberneticians from the United States, United Kingdom, Europe and Japan from 1949-87. From the Late First Century through to the Seventeenth Century, the scientific endeavors of the Hero of Alexandria, Ramon Llull, Paracelsus, René Descartes, Jacques de Vaucanson, Pierre Jacquet...
Asks important questions about the very nature of stories and examines why we read stories rather than just learning the endings.
Research into the ways in which the past is constructed and consumed in the present is now reaching a mature stage. This maturity derives from the general acceptance that heritage as a social and cultural construct is closely connected to the making and maintaining of identity at all spatial scales. This unique book contributes to the developing discourse by focusing on 'heritage from below' in a field where the literature on the relationship between heritage and identity has, rightly, been focused on national identity. Never before have the contemporary manifestations and the theoretical structuring framework of the idea of heritage from below been discussed in the depth offered by this book. The authors first establish the concept and then engage with the actual practice and practitioners of heritage from below in the UK, Europe, Australia and North America.
This book argues that a special value of art is the way in which it uses conscious experience -- the exemplars of aesthetic experience -- to autonomously reconfigure how we conceive of our world and ourselves, ourselves in our world and our world in ourselves. Exemplar representation ties art and science, mind and body, self and world together in a dynamic loop reconfiguring them all as it reconfigures itself.
This study analyzes contemporary American sports poetry, demonstrating that poems about sports express common attitudes and showing what the respective sports' poems say about American culture of the last fifty years. While placing particular emphasis on the hero in American sports poetry, the study proves that a considerable body of sports poetry exists in American culture and that it is worthy of serious analysis. The study opens with the analysis done so far on sports poetry, articulates methods of approach, and gives a brief history of sports poetry, beginning with victory chants around the tribal campfire. From Thayer's "Casey at the Bat" to Gibb's "Listening to the Ballgame," the body of the work is organized thematically by sport: baseball, football, basketball, women's sports, and minor sports such as golf, racquet sports, and boxing. The study concludes with a chapter on poems about fans and spectators and a summary of the study's arguments. Each section gives detailed readings of many poems.
Why did deconstruction emerge when it did? Why did commentators in literary studies seem to need to look back on it from the earliest moments of its emergence? This book argues that the invention of deconstruction was spread across several decades, conducted by many people, and focused on its two central figures, Jacques Derrida and Paul de Man.