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Despite the history that divides them, Hinduism and Orthodox Christianity have much in common. In The Human Icon, Christine Mangala Frost explores how both religions seek to realise the divine potential of every human being, and the differences in their approach. Frost, who has experienced both the extraordinary riches and the all-too-human failings of Hinduism and Orthodox Christianity from the inside, is perfectly placed to examine the convergences and divergences between the two faiths. Inspired by a desire to clear up the misunderstandings that exist between the two, The Human Icon is a study in how two faiths, superficially dissimilar, can nevertheless find meeting points everywhere. Th...
Despite the history that divides them, Hinduism and Orthodox Christianity have much in common. In The Human Icon, Christine Mangala Frost explores how both religions seek to realise the divine potential of every human being, and the differences in their approach. Frost, who has experienced both the extraordinary riches and the all-too-human failings of Hinduism and Orthodox Christianity from the inside, is perfectly placed to examine the convergences and divergences between the two faiths. Inspired by a desire to clear up the misunderstandings that exist between the two, The Human Icon is a study in how two faiths, superficially dissimilar, can nevertheless find meeting points everywhere. Th...
This text describes the conflict over the veil as it became a burning issue in the decade following the military intervention of 1980. The author argues that the fact that the Islamic movement is on the rise does not mean that it threatens the very foundations of modern Turkish society.
In LOOKING FOR A KINGDOM, Christine Mangala presents a galaxy of characters, Indian and Australian, in a masterpiece of wit and intelligence, romance and horror. Krishna Deva Raja, disillusioned with being a mere 'Mr Maharajah' in modern India, hits rock bottom when an Australian business-delegation visits him, seeking his help to manufacture condoms. An unexpected bequest to his niece of a vast property in Australia ignites his nostalgic dreams; so he sets sail with his niece and princely entourage, to re-found his defunct kingdom on the banks of the Clarence River, Northern New South Wales. In Sydney, they recruit Ziggy Martin, a war-worn photojournalist who is tormented by a psychic power...
This powerful memoir tells the story of a Greek youth who, out of a desire to know the truth empirically, began to experiment in yoga, hypnotism, and various occult techniques. Eventually drawn back to the faith of his forefathers - Orthodox Christianity - he visited the ancient monastic republic of Mount Athos in his native Greece, where he was brought to a knowledge of the truth of Jesus Christ by the saintly Elder Paisios (1924-1994). Nevertheless, believing he had only found "part of the truth" on the Holy Mountain, he chose to give the "same opportunity" to Hindu yogis that he had given to Elder Paisios and other Orthodox monks. Thus, at the age of twenty-five, he embarked on a trip to ...
Now available in English for the first time, Ysabel de Andia’s double exploration of Christian and Hindu mysticism provides a valuable addition to the field. Composed from lectures given in Benares in 2015 to priests of the Missions Étrangères de Paris, Mystery of God, Mystery of Christ combines the two main research interests that have defined de Andia’s career: first, an understanding of Christian mysticism as growing out of the Christian mystery of Christ and the sacrament, and secondly, the relationship between this and Hindu contemplative prayer as articulated by Jules Monchanin. Beginning with the Cappadocian fathers, de Andai traces the developing interpretation of Mystery through Christian thinkers from Origen and Gregory of Nyssa to Basil and Dionysios the Areopagite. From here, she begins to dovetail this study with an exploration of Hindu contemplation, relating the Carmelite mystic St John of the Cross to the Advaitist tradition, especially as expounded by Shankara. Throughout, her masterful understanding of both traditions is apparent. For English readers, her insight will provide a fresh perspective on this lively subject area.
This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.
The book traces individuals' adaptive interventions in the cultural sphere. More specifically, it investigates the purposes of dramatic adapting, which is basically regarded as a political activity. Following the intense micropolitical combat of an author with the precursor Shakespeare, adaptation becomes comprehensible as part of the ceaseless motions of macrocultural change. At each adaptation's centre, an individual subject's identity act encounters external discourses, and these transform each other and destabilise ideologies. Moreover, they lay siege to the cultural powerhouse Shakespeare. The book thus explores adapters' revolt against the loop of eternal repetition, which is created by canonic forces. In order to do so, the author uses an innovative combination of standard theories.
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retr...