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The Forgings, the groundbreaking series of industrially forged steel sculptures that the artist produced in 1955 and 1956, are brought together in one book for the first time, alongside complementary sketchbook drawings of the sculptures. This catalogue, documenting an exhibition at Gagosian Gallery, New York, is the first time that all ten Forgings have been on view together since 1956. The sculptures are accompanied by a series of works on paper leading up to The Forgings, as well as sketchbook drawings of the completed sculptures. With the The Forgings, David Smith translated the spontaneity of a brushed line drawing into sculptural form, manipulating thin steel bars to achieve expressive vertical abstractions. The Forgings were unprecedented as works created solely through an industrial machined process, but were perhaps even more radical as pre-Minimalist forms intended to provoke discrete responses in each viewer.
Cultural differences are everywhere. Understanding these differences is now a basic life skill for all of us, not just for missionaries or world travelers. This book offers a brief, critical overview of Christian ways of thinking about how and why we should relate to other cultures.
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary Supplement The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of v...
Though they are largely unknown, sculptor, draughtsman and painter David Smith took photographs of great depth, beauty and precision throughout his career--from 1931 until his death in 1965. The large part of these images can be divided into two categories: the photographs of assemblages of found objects from the early and middle 1930s that were conceived as artworks themselves, and the pictures, taken mostly after 1945, that documented Smith's own sculpture. The photographs of his mature works are interpretive documents. Every sculpture, no matter how large or small, was photographed, often repeatedly, in different seasons and lighting conditions, and from different vantage points. In the 1960s, Smith also turned his camera to the figure. The images from this lifelong project are aesthetic statements in their own right and give new insight into Smith's artistic evolution. A pitch-perfect selection is collected here.
One of the pre-eminent American sculptors of the twentieth century, Smith was a powerful innovator. He introduced the industrial process of welding, and was able to manipulate metal into extraordinarily imaginative and varied compositions, using it literally to "draw in space." Pachner also sheds valuable light on Smith's prolific output of drawing, sketching, writing and photography.