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From the first account of “Colter’s Run,” published in 1810, fascination with John Colter, one of America’s most famous and yet least known frontiersmen and discoverer of Yellowstone Park, has never waned. Unlike other legends of the era like Daniel Boone, Davy Crockett, and Kit Carson, Colter has remained elusive because he left not a single letter, diary, or reminiscence. Gathering the available evidence and guiding readers through a labyrinth of hearsay, rumor, and myth, two Colter experts for the first time tell the whole story of Colter and his legend.
From 1810, when a newspaper published the first account of “Colter’s Run,” to 2012, when one hundred and fourscore participants in Montana’s annual John Colter Run charged up and down rugged trails—even across the waist-deep Gallatin River—interest in Colter, the alleged discoverer of Yellowstone Park, has never waned. Drawing on this endless fascination with an individual often called the first American mountain man, this book offers an innovative, comprehensive study of a unique figure in American history. Despite his prominent role in the Lewis and Clark Expedition and the early exploration of the West, Colter is distinctly different from Daniel Boone, Davy Crockett, Kit Carso...
Back in 1803, I was one of those crazy fools who joined Meriwether Lewis and William Clark on their journey across the continent. Back then, every person who knew about our expedition said we were out of our minds. If the natives didnat kill us, the Spanish would, they said. There was no chance of our being successful. Well, we proved them wrong, didnat we? We went up that massive Missouri, crossed the mountains, reached the ocean, and then did it all again in reverse. We werenat killed by the natives and we werenat killed or enslaved by the Spanish. But when President Jeffersonas famed Corps of Discovery floated back down the Missouri to St. Louis in September of 1806, I wasnat with them. Nope, I stayed up there in that wild country to make my fortune. What I ended up making was a legend.
Laurie Wilson shows how Giacometti's secret beliefs & emotional scars are reflected in his sculpture, drawings & paintings.
The idea that societies and rulers express their power through monumental architecture is not a new one, but this collection of essays, the result of a 2002 conference in Leuven, takes the arguement back to the very beginnings of monumental architecture in the Bronze Age Near East and Aegean, to ask if this process can be linked to a particular ...
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