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A Companion to Warburgian Studies
This issue of Engramma is intended as an update of the overview of studies dedicated to Warburg in the world: an important work of reconnaissance inaugurated with Engramma 165, Warburgian Studies. The issue brings together contributions from different scholars, sharing a common vision of Warburg and his thought. A Companion to Warburgian Studies is divided into three parts: I. Essays; II. Overviews; III. Presentations and Reviews.
e165 | Warburgian Studies
Warburgian Studies. Editoriale Monica Centanni, Anna Fressola e Maurizio Ghelardi Aby Warburg, Manet’s Déjeuner sur l’herbe Maurizio Ghelardi Aby Warburg, Frammenti tra Manet e Mnemosyne [102.1.2] Maurizio Ghelardi e Monica Centanni Estudios Warburgianos en España (2015-2019) Victoria Cirlot Studi warburghiani in Germania (2018-2019) Marilena Calcara Warburgian Studies in Belgium (2016-2019) Stephanie Heremans Warburgian Studies in Russia Ekaterina Mikhailova-Smolniakova Warburgian Studies in the UK (2014-2018) Laura Leuzzi Études sur Raymond Klibansky en Canada Daniela Sacco (versione francese e italiana) Aby Warburg negli studi latino-americani Cássio Fernandes Bibliography. Works by Aby Warburg and secondary literature Anna Fressola B. Baert Fragments. Studies in Iconology. A presentation Barbara Baert e Stephanie Heremans Mondo delle immagini. Immagini del mondo Natalia Mazur e Alessia Cavallaro Super-Powering Warburg Studies Beyond Art History’s Patriarchal Ancestor Cults Emily Verla Bovino
The Ouroboros Cycle, Book Three
For a thousand years, the immortal Shashavani have hidden from the world in the halls of their mountain fortress, amassing great stores of knowledge in a haven of academic tranquility. And while Doctor Varanus has never found tranquility much to her taste, even she cannot deny that the peace and quiet make for a pleasant diversion following the chaos of her recent adventures in London. Having left the horrors of bloodshed and wellness behind her, Varanus has thrown herself headlong into the study of the Shashavani condition, determined to learn the secrets of their undying power. But all is not as it seems in the House of Shashava. As winter snow covers the Shashavani valley and chokes the mountain passes, sinister events are unfolding in the shadows. Whispers of conspiracy echo through the halls. Soon loyalties will be tested and friendships betrayed. Blood will flow. For upon the frozen steppe, an ancient evil stirs and turns its gaze toward the House of Shashava, hungering for power and revenge. As darkness descends, one question remains: Do you serve the Winter King?
Ritual Design for the Ballet Stage
The Turkish ceremony in Le Bourgeois gentilhomme has been popular with audiences for almost 350 years and remains one of the bestknown scenes of early modern French theatre. This newly researched volume spotlights the Turkish ceremony in its original technicolor, presenting numerous important discoveries that have never before been published. It shows that even in a field as thoroughly investigated as the collaboration between Molière and Lully at the court of Louis XIV, there is still much new source material to be discovered, and many new connections to be made. As the multidisciplinary essays examine the burlesque Turkish scene from a social, political, textual and iconographic view point they unearth, time and again, flaws, omissions and errors transmitted in earlier scholarship. Ritual Design is a must-have volume that sets the record straight.
Letters on Dancing and Ballets
The dancer and choreographer Jean-Georges Noverre's Letters On Dancing and Ballets were first published in Stuttgart in 1760, and set forth his ideas for the reform of ballet, ideas which were considered revolutionary in their day and indeed anticipated changes to be carried out more than a century later by Laban, Fokine, and Jooss. At a time when court ballet had degenerated into a meaningless succession of conventional dances, Noverre advocated a unity of design and a logical progression from introduction to climax in which the whole was not sacrificed to the part and anything unnecessary to the theme was eliminated. Movement was to be defined by the tone and time of the music, and choreog...
The Artist as Inventor
This book opens new perspectives on cinema, arts, and the media. It provides a rereading of the past and explains the challenges facing artists today.
My Life as an Astronaut
The astronaut who landed on the moon in November 1969 and also lived and worked in Skylab in 1973 tells about his past and present life, which is devoted to painting scenes from the American experience in space. Landing on the Moon At last we were nearly there. We'd come a long, long way and in a matter of minutes, we would come to rest on the rocky, dusty surface of the Moon. And I knew that, in all of history, only two human beings—astronauts Neil Armstrong and Buzz Aldrin—had walked on the Moon. Soon, Pete would become the third person to walk across this barren landscape. Then it would be my turn. It was a moment I had dreamed of, an achievement for which I had spent years working and training.
