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This book dicusses the origin and growth of Indo-Persian historiography with particular emphasis on India's contribution to the literary heritage of the Persian world. It also evaluates the important changes that the writing of history underwent as it developed within the Indian environment. Besides a discussion of the methods employed by the Indo-Persian historians, the book focuses, for the first time, on an important contemporary work, Awfi's Jawami'ul-Hikayat-waLivam'ul-Rivaayat as a source for the study of the history of the social and political developments in the Islamic world. This enlarged edition also examines the poet 'Isami's Futuhus-Salatin that chronicles the reign of the Sultans from the eleventh to fourteenth centuries, and is remarkable for the details of the political and social developments that took place in south India after its annexation to the Sultanate of Delhi.
This work explores the cultural orientation of the sultanate of Delhi, a subject on which little work has been done so far. The architects of the sultanate introduced a new system of governance with novel social and cultural institutions, and Persian as an official language. These were significant moves as they served as catalysts for social change. Alongside, the emergence of new urban centres as well as setting up of colonies of foreign immigrants from lands of more advanced culture in the old towns led to the transfiguration of culture in the sultanate. Structurally, it is divided into three parts. The first explores the role played by the metropolis of Delhi as an integrating nucleus, an...
This book discusses the origin and growth of Indo-Persian historiography with specific emphasis on India's contribution to the literary heritage of the Persian world. Besides examining 'Awfi's Jawami'ul-Hikayat-wa-Livam'ul-Rivayat as a source of history, the volume also assesses the history of history writing by immigrant and Indian scholars, and is a pioneering attempt insofar as it attempts to study the social background and the religious and political ideals of each of the writers included in this book.
Implicit In The Title Of This Monograph Is The Study Of The Political Structure Of The Sultanate Founded In The Wake Of The Ghurian Conquest Of North India Towards The Close Of The Twelfth Century Ad. The Introduction Of The New Politico-Social Institutions Led To Important Changes In The Country`S Traditional System. This Volume On Medieval History Will Arouse Scholar`S Interest In Undertaking Further Investigation And Research Into This Field.
In the Shade of the Golden Palace explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol's works, paying special attention to his discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. D'Hubert focuses on courtly speech in Alaol's poetry, his revisiting of classical categories in a vernacular context, and the prominent role of performing arts in his conceptualization of the poetics of the written word. The foregrounding of this audacious theory of m...
Description: The present work is outcome of a search for fresh contemporary evidence about the life and conditions in the Sultanate of Delhi during the thirteenth and fourteenth centuries. Besides the contemporary Perso-Arabic works, the literary works produced under the patronage of the Sultans of Delhi and nobles also contain information about important institutions and scientific inventions and instruments that found their way into India along with the immigrants from Central Asia and the Middle East. In view of the paucity of source-material on the life and culture in the known political histories of the period, fresh historical information contained in the contemporary Perso-Arabic sources, hitherto unknown or neglected has been represented in this work in the translation with comments. The work will not only enlarge the understanding of the scholars, interested in the history and culture of India but also open new vistas for further research.
This book makes an extensive study of the art and culture of Awadh during the Nawabi period (c. 1722-1856), with a focus on the city of Lucknow. The work takes up evidence available in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as performance traditions and craft techniques which are derived from this period. Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture and industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamuni tahzib, remained intact.
In Criminal Sentencing in Bangladesh, Muhammad Mahbubur Rahman critically examines the sentencing policies of Bangladesh and demonstrates that the country’s sentencing policies are not only yet to be developed in a coherent manner and shaped with an appropriate and contextual balance, but also remain part of the problem rather than part of the solution. The author forcefully argues that the conception of ‘sentencing policies’ cannot and should not always be confined exclusively to institutional understandings. The typical realities of post-colonial societies call for rethinking the traditional judiciary-centred understanding of what is meant by criminal sentences. This book thus raises the question for theoretical sentencing scholarship whether the prevailing judiciary-centred understanding of sentencing should be rethought.