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The Rockabillies
In this work, photographer Jennifer Greenburg offers a visual tour of a unique global subculture and her own place within it. The individuals her photographs capture are examples of the rockabilly scene, who have fully embraced the aesthetic values of the 1950s.
The Power of the Story
A cross-disciplinary volume that combines and puts into dialogue perspectives on disasters, this book includes contributions from anthropology, history, cultural studies, sociology, and literary studies. Offering a rich and diverse set of arguments and analyses on the ever-relevant theme of catastrophe in the circum-Caribbean, it will encourage debate and collaboration between scholars working on disasters from a range of disciplinary perspectives.
Female Photographers Org
The first publication from a new female collective engaging topics of gender portrayal, body image and the media Founded in 2018 by Kirsten Becken and Veronika Faustmann, and now comprised of 20 female photographers, the non-hierarchical collective Female Photographers Org has set itself the task of creating a pictorial dialogue about bodies and their perception within the media. The Body Issueis the first joint publication of the group. It includes photography by guests Brandy Eve Allen, Brittney Casey Adams, Mary Chen, Tamara Dean, Peyton Fulford, Yushi Li Dita Pepe, Lotte van Raalte, Laurie Simmons and Chanell Stone, as well as work by members of the collective: Bex Day, Haley Morris-Cafiero, Katharina Bosse, Maggie Steber, Meklit Fekadu, Jennifer Greenburg, Jocelyn Lee, Lilly Urbat, Kirsten Becken, Claudia Holzinger, Jessica Barthel, Caro Siegl, Oriana Layendecker, Nora Lowinsky, Hanna Mattes, Veronika Faustmann, Katya Abedian, Paula Winkler, Marzena Skubatz and Qiana Mestrich.
Practicing Ubuntu
Ubuntu is a dynamic and celebrated concept in Africa. In the great Sutu-nguni family of Southern Africa, being humane is regarded as the supreme virtue. The essence of this philosophy of life, called ubuntu or botho, is human relatedness and dignity. The Shona from Zimbabwe articulate it as: I am because we are; I exist because the community exists. This volume offers twenty-two such reflections on practicing ubuntu as it relates to justice, personhood, and human dignity, both in Southern Africa, as well as in a wider international context. It highlights the potential of ubuntu for enriching our understanding of justice, personhood, and human dignity in a globalizing world. (Series: International Practical Theology, Vol. 20) [Subject: African Studies, Religious Studies]
Ethnographies of Power
Working with key concepts from theorist and human geographer Gillian Hart, this book argues for an ethnographic and geographic approach to critically engage contemporary political-economic processes in the context of real world struggles.
The Inner Life of Race
In The Inner Life of Race, Leerom Medovoi turns away from conventional views of race as a politics of the phenotypical body to theorize race instead as a politics of populational threat. Racism’s genealogy, argues Medovoi, invokes longstanding theological distinctions between the body and the soul. While the body can be seen and marked, the soul signals potentially threatening interiorities: dangerous intentions, beliefs, or desires. Race is the power-effect of reading the body in order to police the political threat of the soul. Medovoi’s genealogy begins with medieval deployments of inquisition and confession to wage war against heretics, infidels, and their threat to the salvation of ...
Conflicted
How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones? Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted challenges normative conceptions of war by revealing how representational authority comes to be. Turning the lens on journalists from The New York Times, The Washington Post, The Wall Street Journal, and other prominent publications, Isaac Blacksin shows why news coverage of contemporary conflict, widely presumed to function as a critique of excessive violence, instead serves to sanction official ...
Gangsters of Capitalism
A groundbreaking journey tracing America’s forgotten path to global power―and how its legacies shape our world today―told through the extraordinary life of a complicated Marine. "Far more extraordinary than even the life of Smedley Butler." ―The Washington Post Smedley Butler was the most celebrated warfighter of his time. Bestselling books were written about him. Hollywood adored him. Wherever the flag went, “The Fighting Quaker” went—serving in nearly every major overseas conflict from the Spanish War of 1898 until the eve of World War II. From his first days as a 16-year-old recruit at the newly seized Guantánamo Bay, he blazed a path for empire: helping annex the Philippin...
Police Peacekeeping
UN peace operations increasingly deploy police forces and engage in policing tasks. The turn to 'police peacekeeping' has generally been met with enthusiasm in both academic and policy circles, and is often understood to provide a more civilian instrument of intervention, better suited to mandates that increasingly emphasize protection. Rebuilding local police forces along democratic, liberal lines is seen as a prerequisite for a successful transition towards peace and stability. In this book, Lou Pingeot questions this optimistic reading of police peacekeeping, and demonstrates that the logic of policing leads to the depoliticization of conflict and the criminalization of those who are deem...
Fractured Fifties
"Fractured Fifties: The Cinematic Periodization and Evolution of a Decade presents a two-pronged argument that (1) cinema has helped define the 1950s by contributing in considerable and meaningful ways to the process of periodization and thus a general conception of the decade, and (2) cinema has fractured our sense of the 1950s. It challenges a reductive and fairly cohesive set of tropes with a complex amalgam of representations that also intervene in debates about historiography, historicity, cultural memory, mediation, nostalgia, and periodization. In other words, cinema has fractured our sense of the 1950s, yielding in the process a series of 1950s types or kinds, (e.g., The Leave it to Beaver Fifties, The Jukebox Fifties, and The Cold War Fifties, The Retromediated Fifties, etc.) as well as a wealth of critical insights into myriad pasts, presents, and the evolving relationships between them"--
