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Sita is one of the defining figures of Indian womanhood, yet there is no single version of her story. Different accounts coexist in myth, literature and folktale. Canonical texts deify Sita while regional variations humanize her. Folk songs and ballads connect her timeless predicament to the daily lives of rural women. Modern-day women continue to see themselves reflected in films, serials and soap operas based on Sita’s narrative. Sacrifice, self denial and unquestioning loyalty are some of the ideals associated with popular perceptions of Sita. But the Janaki who symbolized strength, who could lift Shiva’s mighty bow, who courageously chose to accompany Rama into exile and who refused ...
WINNER OF THE KALINGA LITERARY FESTIVAL FICTION BOOK OF THE YEAR AWARD 2020-2021 Michael Madhusdan Dutt (1824--1872), a maverick who changed the scope of Bengali poetry in the nineteenth century, especially with his free-verse epic, 'Meghnadhbadh Kabya', was a genius who never got his due. Throughout his life, Madhusudan was caught in an identity crisis: he wrote in the English language, changed his religion and was a restless traveller, yearning to belong somewhere. After an extended sojourn in London and Paris, with misery and poverty as his constant companions, the poet finally found his metier in his mother tongue. Betrayed By Hope, a play-script based on the letters Michael Madhusudan Dutt wrote to friends, well-wishers and patrons, paints the portrait of an artist as he plunges headlong into crisis after crisis, even as his imagination and creativity soar. Namita Gokhale and Malashri Lal pay tribute to his extraordinary life in a story that will lay bare our deep-set contradictions about art and life.
Who was Radha, and why has she captured the imagination of so many writers across centuries? No other goddess combines the elements of bhakti and shringara quite as exquisitely as the divine milkmaid. She spans a vivid rainbow of imagery-from the playfulness of the Ras Lila to the soulfulness of her undying love, from the mystic allure of her depictions in poetry, art and sculpture to her enduring legacy in Vrindavan. In a way that sets her apart from other female consorts, Radha is idealized and dreamed of in a way that is almost more elemental than mythical. Namita Gokhale and Malashri Lal, who brought us In Search of Sita: Revisiting Mythology, now present an anthology on the mysterious Radha, the epitome of love, who defies all conventional codes yet transcends social prohibitions through the power of the spiritual and the sensual, the sacred and the erotic. Finding Radha is the first of its kind: a collection of poetry, prose and translation that enter the historical as well as the artistic dimensions of the eternal romance of Radha and Krishna.
Featuring innovative research by emergent and established scholars, The Fin-de-Siecle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that shows why literary historians have frequently underrated fin-de-siecle poetry, the collection explains how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter in turn provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in re...
Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Tina Olsin Lent, Rashmila Maiti, Allen H. Redmon, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that s...
How does one imagine plurality? How does one find new strategies for writing diversity and polyphony? How does one read the most challenging creative and critical works of the present time? This bi-lingual volume of twelve English and eight French papers proposes to breach linguistic critical frontiers by placing careful analysis of texts from different language traditions in a multi-lingual and multi-cultural dialogue. In this collection of theoretically and politically aware close readings of contemporary cultural production, the focus of analysis rests on the multiple and complex global convergences and interferences of cultural influences. The collection foregrounds the work of innovative writers who seek to express the ungraspable presence of cultural “newness” at the same time as situating themselves in the richness of detail of local lives. This volume, most particularly, finds a balance of critical approach between the everyday attempts at negotiation and survival, and the insight brought to the reader by postcolonial, syncretic and feminist theoretical analysis.
How does a writer discuss her creative process and her views on a writer’s role in society? How do her comments on writing relate to her works? The Hindi writer Krishna Sobti (1925-2019) is known primarily as a novelist. However, she also extensively wrote about her views on the creative process, the figure of the writer, historical writing, and the position of writers within the public sphere. This study is the first to examine in detail the relationship between Sobti’s views on poetics as exposed in her non-fictional texts and her own literary practice. The writer’s self-representation is analysed through her use of metaphors to explain her creative process. Sobti’s construction of...
Investigation into how a shared narrative of law and cinema produces ways of collectively remembering mass violence in postcolonial India.
This book is the first to present current scholarship on gender and in regional and sectarian versions of the Rāmāyaṇa. Contributors explore in what ways the versions relate to other Rāmāyaṇa texts as they deal with the female persona and the cultural values implicit in them. Using a wide variety of approaches, both analytical and descriptive, the authors discover common ground between narrative variants even as their diversity is recognized. It offers an analysis in the shaping of the heterogeneous Rāma tradition through time as it can be viewed from the perspective of narrating women's lives. Through the analysis of the representation and treatment of female characters, narrative inventions, structural design, textual variants, and the idiom of composition and technique in art and sculpture are revealed and it is shown what and in which way these alternative versions are unique. A sophisticated exploration of the Rāmāyaṇa, this book is of great interest to academics in the fields of South Asian Studies, Asian Religion, Asian Gender and Cultural Studies.
Social exclusion and inclusion remain issues of fundamental importance to democracy. Both exclusion and inclusion relate to the access to participation in the public realm, public goods and services for certain groups of people who are minorities, marginalized and deprived. Democratization has led to the inclusion of the previously excluded in the political process. While the problems of exclusion remain even in advanced Western countries in respect of the minorities of sorts, and the underprivileged, the problem of deep-rooted social and cultural exclusions is acute in post-colonial countries, including India. This book analyses social exclusions in India, which remain the most solid challe...