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Merge is an independently published journal born out of the creative efforts of several dedicated writers and artists from the Phoenix metropolitan area. Our goal is to entice readers through powerful intersections of imagery, emotion and language, to invite them to experience the lyrical qualities of human interaction and expression with passionate intent. In short, this is what we believe good poetry can evoke. --Rosemarie Dombrowski, Editor - www.mergepoetry.com
Scholars and critics commonly align W. B. Yeats with Ezra Pound, T. S. Eliot and the modernist movement at large. This incisive study from renowned poetry critic Edna Longley argues that Yeats' presence and influence in modern poetry have been sorely misunderstood. Longley disputes the value of modernist critical paradigms and suggests alternative perspectives for interpreting Yeats - perspectives based on his own criticism, and on how Ireland shaped both his criticism and his poetry. Close readings of particular poems focus on structure, demonstrating how radically Yeats' approach to poetic form differs from that of Pound and Eliot. Longley discusses other twentieth-century poets in relation to Yeats' insistence on tradition, and offers valuable insights into the work of Edward Thomas, Wallace Stevens, Wilfred Owen, Hugh MacDiarmid, W. H. Auden, Louis MacNeice, Geoffrey Hill, Philip Larkin and Ted Hughes. Her postscript addresses key issues in contemporary poetry by taking a fresh look at Yeats's enduring legacy.
Offering major reevaluations of Dryden, Hume, and Johnson, Engell shows that 18th-century criticism cannot be represented by just a few major critics or by generalizations about Augustan taste, neoclassical rules, or "common sense." He presents a complex and highly varied body of theoretical writing and practical application by dozens of critics.
Tracing the solitude of the American self, the difference between idolatrous and companionate affection, and the dream of an "America of love," Eric Murphy Selinger shows how such concerns can shape a poet's most intimate decisions about genre and form. His lucid, elegant prose illuminates not only well-known love poets, including Emily Dickinson and William Carlos Williams, but also more unexpected figures, notably Wallace Stevens and Mina Loy. Like the poets he discusses, Selinger refuses to view love reductively. Rather, he takes the impulse to debunk love as part of his subject, whether it crops up in Puritan theology or contemporary literary theory. As he details Whitman's courtship of his readers, weighs the restorations of romance in H. D. and Ezra Pound, and demonstrates the bonds between poets as disparate as Robert Creeley and Robert Lowell, Selinger establishes love poetry as an essential American genre.
Literature and Gender combines an introduction to and an anthology of literary texts which powerfully demonstrate the relevance of gender issues to the study of literature. The volume covers all three major literary genres - poetry, fiction and drama - and closely examines a wide range of themes, including: feminity versus creativity in women's lives and writing the construction of female characters autobiography and fiction the gendering of language the interaction of race, class and gender within writing, reading and interpretation. Literature and Gender is also a superb resource of primary texts, and includes writing by: Sappho Emily Dickinson Sylvia Plath Tennyson Elizabeth Bishop Louisa May Alcott Virginia Woolf Jamaica Kincaid Charlotte Perkins Gilman Susan Glaspell Also reproduced are essential essays by, amoung others, Maya Angelou, Sandra Gilbert and Susan Gubar, Toni Morrison, Elaine Showalter, and Alice Walker. No other book on this subject provides an anthology, introduction and critical reader in one volume. Literature and Gender is the ideal guide for any student new to this field.
This critical biography of Vladislav Khodasevich (1886-1939), David M. Bethea introduces to the Western reader the life and art of a literary figure described by Vladimir Nabokov as the greatest Russian poet of the twentieth century. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book combines literary and historical analysis in a study of sexuality in Walt Whitman's work. Informed by his "new historicist" understanding of the construction of literary texts, Jimmie Killingsworth examines the progression of Whitman's poetry and prose by considering the textual history of Leaves of Grass and other works. Killingsworth demonstrates that Whitman's "poetry of the body" derives its radical power from the transformation of conventional attitudes toward sexuality, traditional poetics, and conservative politics. The sexual relation, with its promise of unity, love, equality, interpenetration, and productivity for partners, becomes a metaphor for all political and social ...
Africa as the cradle of human civilizations, has over 2000 languages, not to talk of distinct dialects, or part languages, so it's important that language and social science practitioners in Africa do the best they can to preserve the languages. Language is the heartbeat of the culture of a people, and in language we pass off, or down contain relevant survival information. In language we collect and create a sense of identity. If you are wondering why East Europe; it is one of the regions of the world that still communicates in indigenous languages; East Europe kept to its identity and didn't take to the dominant languages like English, French, Spanish etc... in Love Notes: Everything is Lov...
Allen Ginsberg (1926–1997) was one of the most famous American poets of the twentieth century. Yet, his career is distinguished by not only his strong contributions to literature but also social justice. Conversations with Allen Ginsberg collects interviews from 1962 to 1997 that chart Ginsberg’s intellectual, spiritual, and political evolution. Ginsberg’s mother, Naomi, was afflicted by mental illness, and Ginsberg’s childhood was marked by his difficult relationship with her; however, he also gained from her a sense of the necessity to fight against social injustice that would mark his political commitments. While a student at Columbia University, Ginsberg would meet Jack Kerouac, ...
An expansive, lavishly illustrated portrait of the culture of Berlin from its medieval beginnings to the reunification of 1990 illuminates the cultural activities of each era and their relationship to the city's changing political and social life. UP.