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The Politics of Reception
Mikhail Zoshchenko was one of the most popular and contentious Russian writers in the period from 1920 to 1950. Scholars and critics have long enlisted Zoshchenko to fight the cultural battles of early Soviet history, the Cold War, and even the glasnost era. In The Politics of Reception, Gregory Carleton analyzes how and why Zoshchenko's legacy has become a battleground for competing ideological interests.
Nervous People, and Other Satires
Among the most popular writers of the early Soviet period was the satirist Mikhail Zoshchenko, whose career spanned nearly four decades and who was as beloved by ordinary people as he was admired by the elite. His most popular pieces, often appearing in newspapers, were "short-short stories" written in a slangy, colloquial style. Typical targets of his satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and what a disdainful Soviet judge in one of the sketches dismisses as "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." Farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary instincts were his favorite devices. Zoshchenko had an uncanny knack for eluding Soviet censorship (one of the sketches even touches humorously on the dangerous topic of party purges) and his work as a result offers us a marvelous window on life in Russia during the twenties and thirties.
Sentimental Tales
“Dralyuk’s new translation of Sentimental Tales, a collection of Zoshchenko’s stories from the 1920s, is a delight that brings the author’s wit to life.”—The Economist Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, a writer not very good at his job, who takes credit for editing the tales in a series of comic prefaces. Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincia...
Mikhail Zoshchenko
This book explores Mikhail Zoshchenko's critical and political reception in the Soviet Union.
Mikhail Zoshchenko and the Poetics of Skaz
Zoshchenko is famous for his short-stories, but the inherent contradictions in his style and philosophy has long confused commentators. Jeremy Hicks begins his analysis by redefining skaz, the traditional narrative form which Zoshchenko used.
Scenes from the Bathhouse
By the famous Russian humorist and satirist, whose writings were originally banned from the Soviet press.
A Very Russian Christmas
A collection of short Christmas stories by some of Russia’s greatest nineteenth and twentieth century authors—several appearing in English for the first time. Running the gamut from sweet and reverent to twisted and uproarious, this collection offers a holiday feast of Russian fiction. Dostoevsky brings stories of poverty and tragedy; Tolstoy inspires with his fable-like tales; Chekhov’s unmatchable skills are on full display in his story of a female factory owner and her wretched workers; Klaudia Lukashevitch delights with a sweet and surprising tale of a childhood in White Russia; and Mikhail Zoshchenko recounts madcap anecdotes of Christmas trees and Christmas thieves in the Soviet Era—a time when it was illegal to celebrate the holiday in Russia. There is no shortage of imagination, wit, or vodka on display in this collection that proves, with its wonderful variety and remarkable human touch, that nobody does Christmas like the Russians.
The Galosh
In his prime, satirist Mikhail Zoschenko was more widely read in the Soviet Union than either Pasternak or Solzhenitsyn. His stories give expression to the bewildered experience of the ordinary Soviet citizen struggling to survive in the 1920's and '30s, beset by an acute housing shortage, ubiquitous theft and corruption, and the impenetrable new ideological language of the Soviet state. Written in the semi-educated talk of the man or woman on the street, these stories enshrine one of the greatest achievements of the people of the Soviet Union--their gallows humor.
The Galosh
Though little known to English readers, Zoshchenko was one of the most popular writers in early Soviet Russiaa̮ time when, as Hicks explains in a useful introduction to this collection of brief comic tales, satire was not yet prohibited by the authorities. Describing himself as "a temporary substitute for the proletarian writer," Zoshchenko wrote in a deliberately simple style, filling his pages with corrupt officials, petty thieves, and confused bureaucrats.
