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This book is a collection of short stories written by Vladimir Korolenko, a Ukrainian-born Russian writer, journalist, human rights activist, and humanitarian of Ukrainian and Polish origin. One of the stories featured shares the same title as the book itself and is a story based on a dying peasant's dream of heaven.
The Blind Musician follows the lives of a young girl, a boy, and a professional musician. All of whom are blind. Korolenko paints a moving, sympathetic and careful psychological portrait of these three characters as he explores the different ways in which they experience blindness. As he attempts to explain the various actions and decisions of these characters, as inherently linked to their disability, Korolenko investigates the power of sight in both a literal and symbolic sense. His realistic, moralistic and mindful approach to such heavy themes is ideal for fans of Tolstoy and unmissable for fans of Russian literature. Vladimir Korolenko (1853-1921) was a Russian short-story writer, an open critic of the Tsarist regime, and later an anti-Bolshevik. His writing boasts harsh, hostile and powerful descriptions, as he investigates the simple lives of even simpler people. The most notable of his work is "The Blind Musician" (1886), alongside numerous short stories, mostly based upon his own experience of exile in Siberia.
A collection of short Christmas stories by some of Russia’s greatest nineteenth and twentieth century authors—several appearing in English for the first time. Running the gamut from sweet and reverent to twisted and uproarious, this collection offers a holiday feast of Russian fiction. Dostoevsky brings stories of poverty and tragedy; Tolstoy inspires with his fable-like tales; Chekhov’s unmatchable skills are on full display in his story of a female factory owner and her wretched workers; Klaudia Lukashevitch delights with a sweet and surprising tale of a childhood in White Russia; and Mikhail Zoshchenko recounts madcap anecdotes of Christmas trees and Christmas thieves in the Soviet Era—a time when it was illegal to celebrate the holiday in Russia. There is no shortage of imagination, wit, or vodka on display in this collection that proves, with its wonderful variety and remarkable human touch, that nobody does Christmas like the Russians.
Korolenko's name is new to American Readers, but in Russia he stands at the head of the younger generation of writers. Like all of the literary children ol Gogol, he is a realist; he paints with photographic distinctness, but at the same time he is an artist and selects only the details that are relevant. His style is crisp and nervous. He excels in placing before the eye, by a few shrewd touches, a whole landscape. It sends the blood to the heart with a quick rush, and thus the author sways the reader with a power that is irresistible. One knows that he writes from his heart, that he is genuine.-"The Book Buyer: A Monthly Review of American and Foreign Literature" [1887]Vladimir Korolenko, ...
What would you give for a conversation with Socrates? Vladimir Korolenko’s short story ‘The Shades’ is as close as it gets. It follows a conversation between Socrates and Eldipias as they discuss themes such as the truth, the nature of the one, true God, as well as the eternal topics of life and death. A masterful exploration of how the fear of changing one’s beliefs can lead to the loss of truth, this is an essential read for anyone interested in philosophy. Korolenko's intimate manner of discussing 'big topics' is similar to the lighthearted nature of NBC's 'The Good Place'. Vladimir Korolenko (1853-1921) was a Ukrainian-born Russian short-story writer, an open critic of the Tsarist regime, and later an anti-Bolshevik. His writing boasts harsh, hostile and powerful descriptions, as he investigates the simple lives of even simpler people. The most notable of his work is "The Blind Musician" (1886), alongside numerous short stories, mostly based upon his own experience of exile in Siberia.
In this study, Marinova examines the diverse practices of crossing boundaries, tactics of translation, and experiences of double and multiple political and national attachments evident in texts about Russo-American encounters from the end of the American Civil War to the Russian Revolution of 1905. Marinova brings together published writings, archival materials, and personal correspondence of well or less known travelers of diverse ethnic backgrounds and artistic predilections: from the quintessential American Mark Twain to the Russian-Jewish ethnographer and revolutionary Vladimir Bogoraz; from masters of realist prose such as the Ukrainian-born Vladimir Korolenko and the Jewish-Russian-American Abraham Cahan, to romantic wanderers like Edna Proctor, Isabel Hapgood or Grigorii Machtet. By highlighting the reification of problematic stereotypes of ethnic and racial difference in these texts, Marinova illuminates the astonishing success of the Cold War period’s rhetoric of mutual hatred and exclusion, and its continuing legacy today.
This is a collection of short stories by two talented writers, Marian Fell and Vladimir Galaktionovich Korolenko. The stories explore a diverse range of themes and emotions, including love, loss, and resilience, and offer a powerful commentary on the human experience. This book is an excellent choice for anyone interested in short fiction or Russian literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vladimir Galaktionovich Korolenko (1853-1921) reigned high in popularity in pre-revolutionary Russia as a writer of short fiction until his contemporary, Anton Chekhov, out-ranked him in the 1880s. This study examines Korolenko's fiction and highlights his contribution to short story writing. His talents synchronized descriptions of nature, landscape and surroundings with mood and action. He uncovered the guiding moral strength in heroes, notwithstanding their social standing. Although Korolenko continued classic Russian literary traditions, he was an original thinker motivated to write by his own compassion and search for justice for those who were defenseless.
"This fascinating volume is a major contribution to our understanding of the Russian Revolution, from World War I to consolidation of the Bolshevik regime. The seven myths include the exaggeration of Rasputin's influence; a purported conspiracy behind the February Revolution; the treasonous Bolshevik dependence on German support; the multiple Anastasia pretenders to the royal inheritance; the antisemitic claims about 'Judeo-Bolsheviks'; distortions about America’s intervention in the civil war; and the 'inevitability' of Bolshevism. In each case the authors analyze the facts, uncover the origins of the myth, and trace its later perseverance (even in contemporary Russia). To assist readers, the volume includes three reference guides (people, terms, dates), nine maps, and twenty-nine illustrations. The result is immensely valuable for undergraduate courses in Russian history." —Gregory L. Freeze, Raymond Ginger Professor of History, Brandeis University