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Flatpicking Guitar Magazine declares Norman Blake a legend, and includes him in the first name club on the Internet flatpicking news list. the Norman Blake Anthology offers complete lyrics and melody lines to 40 original songs, written and notated just as Norman sings them. Often, the vocal version is followed by a second flatpicking solo edition in notation and tablature including introductions and solos within a given tune- all authorized by Norman himself! 200 pages, illustrated with photos from a distinguished 30-year career. Intermediate in difficulty.
This comprehensive study of contemporary flatpicking guitar technique presents numerous solos for the beginning through advanced flatpicking guitarist along with tips on creating your own flatpicking arrangements. The book addresses the tablature system, tuning, right and left-hand technique, use of the capo and themicrophone, transposing using the Nashville numbering system, bluegrass back- up, arranging flatpicking solos and instrumentals. If you're into country or bluegrass music, or if you just want to develop outstanding flatpicking technique, this book is for you. Written in standard notation and tablature. The stereo play-along audio online features Steve Kaufman's rousing performance of each flatpicking solo! Also includes a videio online containing some of the solos andtechniques presented in the book. Audio and video download available online
One of the most important factors in language change is synchronic variation due to social differences including gender-specific language use. The papers in the present volume all address this topic in connection with the history of English. They range from Chaucer's and Shakespeare's forms of address to questions of political correctness today; they also include the discussion of attitudes to regional variation and of the influence of social variation on syntax and phonology as well as the role of standardization in a social context.
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.
The papers collected in this volume were first presented at the 14th International Conference on English Historical Linguistics (Bergamo, 2006). Alongside studies of syntax, morphology, lexis and semantics, published in two sister volumes, many innovative contributions focused on geo-historical variation in English. A carefully peer-reviewed selection, including two plenary lectures, appears here in print for the first time, bearing witness to the increasing scholarly interest in varieties of English other than so-called ‘standard’ English. In all the contributions, well-established methods of historical dialectology combine with new theoretical approaches, in an attempt to shed more light on phenomena that have hitherto remained unexplored, or have only just begun to be investigated. Perceptual dialectology is also taken into consideration, and state-of-the-art tools, such as electronic corpora and atlases, are employed consistently, ensuring the methodological homogeneity of the contributions.
A study of the language of Chaucerian manuscripts, printed editions and Chaucer's 15th century followers. Winner of the 2005 Beatrice White Prize for outstanding scholarly work in the field of English literature before 1590 The manuscript copies of Chaucer's works preserve valuable information concerning Chaucer's linguistic practices and the ways in which scribes responded to these. This book draws on recent developments in Middle English dialectology, textual criticism and the application of computers to manuscript studies to assess the evidence Chaucerian manuscripts provide for reconstructing Chaucer's own language and his linguistic environment. This book considershow scribes, editors and Chaucerian poets transmitted and updated Chaucer's language and the implications of this for our understanding of Chaucerian book production and reception, and the processes of linguistic change in the fifteenth century. Winner of the 2005 Beatrice White Prize for outstanding scholarly work in the field of English literature before 1590 SIMON HOROBIN lectures on English language at the University of Glasgow.
What is this book about? ASP.NET 1.0 is the final release of Microsoft's Active Server Pages (ASP). It is a powerful server-based technology designed to create dynamic, interactive, HTML pages for web sites and corporate intranets. ASP.NET is a core element of Microsoft's exciting .NET vision, building on the strengths of the .NET Framework to provide many new features not seen in previous versions of ASP. This book, entirely revised and updated for the final release, will provide you with a step-by-step introduction to ASP.NET using C#, with plenty of worked examples to help you to gain a deep understanding of what ASP.NET is all about, and how you can harness it to build powerful web appli...