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Screen Interiors
Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships, horror architecture and action scenes, Screen Interiors presents an array of innovative perspectives on film design. Essays address questions related to interiors and objects in film and television from the early 1900s up until the present day. Authors explore how interior film design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. Case studies look at disjunctions between interior and exterior design and the inter-relationship of production design and narrative. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), The Servant (1963), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, Screen Interiors showcases an array of methodological approaches for the study of film and design history.
Horror in Architecture
A new edition of this extensive visual analysis of horror tropes and their architectural analogues Horror in Architecture presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, Horror in Architecture establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and m...
The Birthday Book: The Roads We Take
In this edition, 53 contributors reflect on “The Roads We Take” – the paths they have chosen to take in their lives. More than just personal stories, these essays highlight the importance of resilience and the evolution of the political and social landscape in Singapore. The book compels readers to think of the complexity of the future roads we must take, as individuals, as a nation – because in sunny Singapore, no one road stays forever.
Robert Zhao
The publication Robert Zhao Renhui: Seeing Forest, Volume 1 of 2 accompanies Robert Zhao Renhui’s eponymous exhibition at the Singapore Pavilion at the 60th International Art Exhibition – La Biennale di Venezia, 20 April to 24 November 2024, curated by Haeju Kim and organized by Singapore Art Museum. In addition to conceptual sequences of Zhao Renhui’s images and curator Haeju Kim’s essay, this companion book gathers an assemblage of texts from various times, authors, contexts, and sources. Organized in the “Reader” section at the center of the volume, these archival pieces range from publications going as far back as 1883 to being as recent as 2020. Juxtaposing scientific and ph...
Non-Standard Architectural Productions
This book captures concepts and projects that reshape the discipline of architecture by prioritizing people over buildings. In doing so, it uncovers sophisticated approaches that go beyond standard architectural protocols to explore experience-based aesthetics, encounters, action-based research, critical practices, and social engagement. If these are widely understood as singular or incompatible approaches, the book reveals that they form a growing network of interrelations and generate levels of flexibility and dynamism that are reshaping the discipline. The thirteen chapters analyze thought-provoking projects – branded museums, restaged exhibitions, home/work spaces, multi-cultural space...
Corridors
We spend our lives moving through passages, hallways, corridors, and gangways, yet these channeling spaces do not feature in architectural histories, monographs, or guidebooks. They are overlooked, undervalued, and unregarded, seen as unlovely parts of a building’s infrastructure rather than architecture. This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals, and asylums, to the “corridors of power,” bureaucratic labyrinths, and housing estates of the twentieth century. Taking in a wide range of sources, from architectural history to fiction, film, and TV, Corridors explores how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares.
Architecture and Ugliness
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics – alternately vilified and appropriated, used either to shock or to invert conventions of architecture. This book presents sixteen new scholarly essays which rethink ugliness in recent architecture – from Brutalism to eclectic postmodern architectural productions – and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century. The book attends t...
Alien
A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Tracing the constellation of talents that came together to produce the film, Roger Luckhurst examines its origins as a monster movie script called Star Beast, dismissed by many in Hollywood as B-movie trash, through to its afterlife in numerous sequels, prequels and elaborations. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity. This special edition features original cover artwork by Marta Lech.
An Architecture of Care in South Africa
Architects care. It is foundational and germane to the discipline and practice of architecture. This book charts the way the Arts and Crafts Movement established the moral ethos of ‘an architecture of care’ that not only remains embedded in current discourse and practice but also that is being given a more vocal presence in our climate-crisis and social justice world. By way of ‘genealogical strands’ the book charts the origin of ‘architecture of care’ ideas in the Arts and Crafts Movement and their impact on the ‘other progeny’ architectural projects in South Africa over the past hundred years. These range from the translation of inglenooks into an armature architecture of �...
Decline and Reimagination in Cinematic New York
Decline and Reimagination in Cinematic New York examines the cinematic representation of New York from the mid-1960s through the mid-1980s, placing the dominant discourse of urban decline in dialogue with marginal perspectives that reimagine the city along alternative paths as a resilient, adaptive, and endlessly inspiring place. Drawing on mainstream, independent, documentary, and experimental films, the book offers a multifaceted account of the power of film to imagine the city’s decline and reimagine its potential. The book analyzes how filmmakers mobilized derelict space and various articulations of “nature” as settings and signifiers that decenter traditional understandings of the city to represent New York alternately as a desolate wasteland, a hostile wilderness, a refuge and playground for outcasts, a home to resilient and resourceful communities, a studio for artistic experimentation, an arcadia conducive to alternative social arrangements, and a complex ecosystem. This book will be of interest to scholars and students of film studies, media studies, urban cinema, urban studies, and eco-cinema.
