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People's Revolt in Orissa
The Book Traces The Birth, Growth And Fulfilment Of The State People S Movement In The State Of Talcher Which Was One Among The Twenty-Six Princely States In Pre-Independent Orissa. The People Of The Princely States Were Subjected To A Dual Pressure; On One Hand By The Feudal Lord Directly And On The Other, The Colonial Authorities Indirectly Who Were There Behind The Local Ruler. Suppressed By The Feudal Lords Over Centuries Through The Collection Of Various Illegal Dues Like Rashad, Magan, Bethi, Bheti, Etc., The People, Towards The Closing Years Of Nineteenth Century, Raised Their Voice Of Protest In 1898 For The First Time. It Was Followed By Uprisings In 1908 And 1911.The Strengthening ...
The Claim
The recent foray of ‘3M Chandani Group’ into the life insurance sector is besieged with a large insurance claim. All evidence and documents are in order but there is an eerie feeling that something is not right. The case lands on the table of ‘Mohan Mohanty’, the ace internal auditor of the group. Will Mohan be able to unearth the truth? Laila and Iceberg, two trusted assistants of Mohan, are confident that with Mohan at the helm, truth need not worry. The investigation takes Mohan and his team to a village hospital where the compounder Tara Nath fixes the posting of doctors. The team of auditors meets Madan Prasad, a sculptor who creates wax statutes which can chase London’s Madam...
Culinary Culture in Colonial India
"Discusses the cuisine to understand the construction of colonial middle-class in Bengal"--
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
The Peacock Feather
Who is Rajendra Awasthi? A judge, a lunatic, or a saint? Pradhan, a young doctor, is intrigued by the recluse who has made his home in the serene, majestic Himalayas. He can sense a profundity beyond the veil of Awasthi’s seemingly ordinary existence. His sincere and gentle questioning nudge Awasthi’s memories, and he narrates a tale that is not only fascinating but also unbelievably miraculous. The journey of reminiscence grants Awasthi a catharsis that redeems him of the anxieties of the past. He relinquishes to the young man, his most important memory, one that had shaken his mind and banished him from society as he grappled with insanity at having witnessed a supernatural phenomenon. The Peacock Feather explores an unlikely relationship between two people of different ages, threaded together by the revelation of an experience so profound, that once shared, it connects them forever.
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Indian Contemporary Films and Societal Reflection
Film has always acted as a window to the society where it brings out various essences of life. India has always shown prominence in representing its inheritance and rich cultural lineage through different layers of films. Right from “Raja Harishchandra” as a full-length feature film in 1913 to the most contemporary films released on OTT, everything and everyone embedded in any of the films made in India has some level of relevance to the time and society, therefore, they can be called contemporary while projecting some form of social message through their presence. The book “Indian Contemporary Films and Societal Reflection” presents a collection of a list of reviews based on some of...
