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Wayland Rudd (1900-1952) was an African American actor who moved to the Soviet Union in 1932 and lived there until 1952. He appeared in numerous Soviet films and theatrical performances, and served as a model for paintings, drawings, and propaganda posters. Using Rudd?s personal story as a springboard, 'The Wayland Rudd Collection' presents Soviet images of Africans and African Americans produced between 1920 and 1980 alongside responses from contemporary artists, writers, and scholars. The book maps the complicated and often contradictory intersection of race and Communism in the Soviet context, exposing the interweaving of internationalism, solidarity, humanism, and Communist ideals with practices of othering, exoticization, and racist stereotyping.00The book is edited by Russian-Amerian artist Yevgeniy Fiks, whose works explore the dialectic between Communism and ?the West? and build on historical research into Cold War narratives
Literary Nonfiction. Art. Photography. LGBT Studies. MOSCOW documents gay cruising sites in Soviet Moscow, from the early 1920s to the USSR's dissolution in the early 1990s. Photographed in 2008 in a simple but haunting documentary style, these sites of the bygone queer underground present a hidden and forgotten Moscow, with a particular focus on Revolutionary Communist sites appropriated by queer Muscovites. The book concludes with the first English-language publication of a 1934 letter to Joseph Stalin in which British communist Harry Whyte presents a Marxist defense of homosexuality in light of its re-criminalization in the USSR. What is the attitude of bourgeois society to homosexuals? E...
While the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art.
An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, Queer Spaces recognises LGBTQIA+ life past and present as strong, ...
In this provocative and groundbreaking nonfiction novel, Albert Wang who is an investigative reporter in the tradition of Hunter Thompson and Norman Mailer reinvents his fictional alter-ego qi peng as a Utah conceptual artist who is trying to make it into the contemporary art world, particularly New York City, from a relative unknown.This mystery novel begins with qi peng's suicide within his future and leads down a darker path into this emerging artist's sordid past as he aspires to find love and appreciation from his fellow artists/characters/celebrities... Wang's controversial reportage as an act of performance art focuses on the spiritual "murder" of the soul as a counterpart to Truman Capote's classic book, "In Cold Blood," that looks at physical murder of humans.
This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.
In The Odyssey of an Apple Thief, Moishe Rozenbaumas (1922–2016) recounts his fascinating life, from his Lithuanian boyhood, to the fraught experiences that take him across Europe and Central Asia and back again, to his daring escape from Soviet Russia to build a new life in Paris. Along the way, we get a rarely seen portrait of the lives of working-class Jewish youth in Telz/Telsiai, a religious town renowned for its yeshiva. We hear of the games children played, the theft of apples from a Catholic orchard, and Rozenbaumas’s early apprenticeship as a tailor once his father leaves the country. The war breaks out and the teenaged Rozenbaumas flees Lithuania alone, unable to convince his m...
Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals a...
Geopolitics and Development examines the historical emergence of development as a form of governmentality, from the end of empire to the Cold War and the War on Terror. It illustrates the various ways in which the meanings and relations of development as a discourse, an apparatus and an aspiration, have been geopolitically imagined and enframed. The book traces some of the multiple historical associations between development and diplomacy and seeks to underline the centrality of questions of territory, security, statehood and sovereignty to the pursuit of development, along with its enrolment in various (b)ordering practices. In making a case for greater attention to the evolving nexus betwe...
The most widely spoken Jewish language on the eve of the Holocaust, Yiddish continues to play a significant role in Jewish life today, from Hasidim for whom it is a language of daily life to avant-garde performers, political activists, and LGBTQ writers turning to Yiddish for inspiration. Yiddish: Biography of a Language presents the story of this centuries-old language, the defining vernacular of Ashkenazi Jews, from its origins to the present. Jeffrey Shandler tells the multifaceted history of Yiddish in the form of a biographical profile, revealing surprising insights through a series of thematic chapters. He addresses key aspects of Yiddish as the language of a diasporic population, whos...