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An introduction to one of the premier humanists of the Italian Renaissance, whose extraordinary work in biography, politics, religion, and philosophy has been largely unknown to Anglophone readers. A celebrated orator, historian, philosopher, and statesman, Giannozzo Manetti (1396–1459) was one of the most remarkable figures of the Italian Renaissance. The son of a wealthy Florentine merchant, he was active in the public life of the Florentine republic and embraced the new humanist scholarship of the Quattrocento. Among his many contributions, Manetti translated from classical Latin, Greek, and Hebrew, bringing attention to great works of the ancient world that were previously unknown. He ...
In Giannozzo Manetti’s New Testament Annet den Haan analyses the Latin translation of the Greek New Testament made by the fifteenth-century humanist Giannozzo Manetti (1396-1459). The book includes the first edition of Manetti’s text. Manetti’s translation was the first since Jerome’s Vulgate, and it predates Erasmus’ Novum Instrumentum by half a century. Written at the Vatican court in the 1450s, it is a unique example of humanist philology applied to the sacred text in the pre-Reformation era. Den Haan argues that Manetti’s translation was influenced by Valla’s Annotationes, and compares Manetti’s translation method with his treatise on correct translation, Apologeticus (1458).
In On Human Worth and Excellence, celebrated diplomat, historian, philosopher, and scholar Giannozzo Manetti (1396-1459) asks: what are the moral, intellectual, and spiritual capabilities of the unique amalgam of body and soul that constitutes human nature? This I Tatti edition contains the first complete translation into English.
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By way of essays and a selection of primary sources in parallel text, Biography, Historiography, and Modes of Philosophizing provides an introduction to a vast, significant, but neglected corpus of early modern literature: collective biography. It focuses especially on the various related strands of political, philosophical, and intellectual and cultural biography as well as on the intersection between biography, historiography, and philosophy. Individual texts from the fifteenth to the eighteenth century are presented as examples of how the ancient collective biographical tradition – as represented above all by Plutarch, Suetonius, Diogenes Laertius, and Jerome – was received and transformed in the Renaissance and beyond in accordance with the needs of humanism, religious controversy, politics, and the development of modern philosophy and science.
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminat...
The memoirs of a Florentine bookseller, Vespasiano da Basticci (b. 1421), who was the most celebrated dealer of books and manuscripts of his generation. His shop become a meeting place for distinguished and learned individuals of his time.
How did early modern societies think about disasters, such as earthquakes or floods? How did they represent disaster, and how did they intervene to mitigate its destructive effects? This collection showcases the breadth of new work on the period ca. 1300-1750. Covering topics that range from new thinking about risk and securitisation to the protection of dikes from shipworm, and with a geography that extends from Europe to Spanish America, the volume places early modern disaster studies squarely at the intersection of intellectual, cultural and socio-economic history. This period witnessed fresh speculation on nature, the diffusion of disaster narratives and imagery and unprecedented attempts to control the physical world. The book will be essential to specialists and students of environmental history and disaster, as well as general readers who seek to discover how pre-industrial societies addressed some of the same foundational issues we grapple with today.
"The myth of Sisyphus symbolizes the archetypal process of becoming without the consolation of absolute achievement. It is both a poignant reflection of the human condition and a prominent framing text for classical, medieval, and renaissance theories of human perfectibility. In this unique reading of the myth through classical philosophies, pagan and Christian religious doctrines, and medieval and renaissance literature, we see Sisyphus, "the most cunning of human beings," attempting to transcend his imperfections empowered by his imagination to renew his faith in the infinite potentialities of human excellence."--BOOK JACKET